Lappeggi is celebrated in the _Rime Piacevole_ of Giovan Battista
Fagiuoli, a poet who was one of the chief boon companions of the
pleasure-loving Cardinal, and seems to have been consulted as to the
planting of the grounds. He strongly recommended bay trees: “they are
evergreen, but not funereal like cypresses, so noble that kings make
crowns of their leaves; and above all they avert thunderbolts, which
are frequent at Lappeggi. But,” he continues in his facetious poem,
“plant what you will, everyone is sure to praise your work, for a
Prince can do no wrong. Should he by chance commit some gross error,
liars and courtiers will make it out a miracle; so that if you plant a
pumpkin to-morrow they will all exclaim, ‘What a beautiful outlandish
fruit.’ Or if you sow a bean—a common enough thing—you will hear, ‘What
a glorious plant, what a show it makes, what taste the Cardinal has.’”
Francesco Maria de’ Medici was very fond of practical jokes. Once he
saw an ass go pass the villa with her foal, and calling his French
cook Monsù Niccolò and his two aids bade them buy the foal and serve
it dressed in various ways at dinner. After the guests had eaten their
fill, particularly of an excellent pasty, the bleeding legs and head
of the little donkey with the hair on, were solemnly placed on the
centre of the table. Some of the party had to leave the room, but most
of them praised the good dinner and laughed, or pretended to laugh,
at the Cardinal’s wonderful wit. Fagiuoli writes a long description
of the scene in verse, saying that for his part, he preferred the
long ears. He also describes the game of _pallone_, in high favour at
Lappeggi, and various games of cards over which large sums of money
were lost. Comedies written by him were learned and acted by the
courtiers within six hours, in obedience to a master whose every whim
had to be gratified at once. On the Cardinal’s birthday there was a
fair on the sward near the villa; all Florence, and the inhabitants of
the neighbouring villages, flocked to see the fun and danced till late
in the night. Marionettes, musicians, astrologers, conjurors “who,”
says our satirical poet, “did not much astonish me, because the talent
of changing cards by sleight of hand is by no means uncommon in these
days.”
Public-domain text, read in full here on John Shaqi.
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