Almost a half century ago Harriet Beecher Stowe lived on the banks of the St. Johns River and wrought for noble ideals in her own brave, cheery way. In “Palmetto Leaves” she tells of the beautiful country round about her home, of the three great live-oaks that sheltered it, and of a caged cardinal grosbeak that used to sit on his perch by her door and sing enthusiastically, “What cheer! What cheer!” The slaves for whom she wrote and wrought are now but a memory, and the State of Florida itself forbids the caging of wild birds, however sweetly they sing or however cheerily they bear their captivity. The fine old house that nestled beneath the live-oaks so confidingly that its broad veranda partly clasped one of them has long since been torn down; and its very foundations obliterated by the tangle of wild verdure that rises here so soon from the unvexed earth; but the live-oaks remain, towering with rounded heads still higher and stretching noble arms in still wider benediction. From the very tip of one of them this morning a tiny crimson flame burned in the sun as if a spirit of clear fire had grown up from the earth her feet had pressed, traversing all the arteries of the noble oak and finally lingering a moment poised for celestial flight, and from the flame fell the voice of a cardinal grosbeak shouting in clear mellow notes, “What cheer! What cheer!” A half-century is but a breath carved out of time, yet in it both birds and men have found freedom, and still spirits of clear flame poise upon the heights and bravely call, “What cheer!” For all I know this cardinal may be a lineal descendant of that other and have caught a voice of joyous prophecy from the place. I have yet to see nobler specimens of the live-oak than these trees that still hold their ground where the old-time battle was so bravely and cheerily fought. To the cardinal as he swam into the morning glow and vanished they must have seemed three mighty domes of dense green. To me standing below they were the pillars and arches of a cool cathedral in whose dim upper recesses the mystic mistletoe hangs its strange, yellowish-green leaves and its pearl-white berries. More is born of thought than we are yet willing to acknowledge. Who knows what exaltation has come down the ages wrapped within the fiber of these druidical plants, to be subtly distilled on all beneath?