'There are two entrances to this apartment, one from the Chinese Gallery, and the other from the Yellow Drawing-room, each under a superb canopy of crimson and gold, ornamented with dragons and musical bells, and supported by golden columns entwined by dragons. There is no outlet on the opposite side, but the general uniformity is preserved by apparent entrances, corresponding in embellishments with those described. 'The carpet, which was manufactured in Axminster, to fit the room, is one of the largest in the kingdom, its dimensions being sixty one feet by forty, and its weight about 1,700 lbs. It is wrought with Chinese subjects in gold colour, on a light blue ground, including suns, stars, serpents, dragons, birds, insects, and other forms. The sofas and chairs, which are of yellow satin and gold, accord with the surrounding objects; the arm chairs are partially dove coloured. 'THE YELLOW DRAWING ROOM, has been so much altered since it was fitted up by the Prince of Wales, that it now bears little resemblance to Pugin's drawing of it. As there delineated, the walls displayed a series of pictures in the Chinese style, intermingled with other characteristic embellishments, and numerous Chinese lanterns were suspended from flying dragons issuing from the cornice. 'This is the intervening apartment between the Saloon and the Music Room, and is the one that usually becomes the sitting room of the Royal party when residing at the Palace. Its length is fifty six feet, and its extreme breadth, to the windows, about thirty three feet. The ceiling is partly supported by two oriental columns, of white and gold, enwreathed by serpents, and branching into umbrella capitals hung with bells. The Cornice, or Canopy, which surrounds the room, is also diversified by pendent bells. The draperies, etc., are of striped satin; and the walls are panelled in white, with richly gilt borderings. The principal chairs and sofas are covered to match the drapery; and, on the back of every chair, is a small Chinese figure, seated, with a bell in each hand. There are five windows on the east side (besides two others in the semicircular returns), and, in front of each intermediate pier, is a sexagon stand of porcelain, sustaining branch lights. The chimney piece, which is of brown coloured marble, is elegantly designed; at the angles are small columns, and within a niche in each jamb is a Chinese figure. On the mantel shelf is a handsome dial, by Vulliamy, with ornamental accessories, including Chinese figures of white china, in draperies enriched with gold. Among the furniture are Buhl tables, with grotesque borderings, beautifully inlaid. On the side and end tables are many jars and vases of Asiatic and Sèvres porcelain; several of which are of a pale sea green colour, elegantly wrought with flowers, butterflies, and other forms. The doors are panelled with plate glass.