Fitzherbert, Maria Anne, 1756-1837; George IV, King of Great Britain, 1762-1830
'THE SALOON, which forms the centre of the suite in the eastern front,
is magnificently decorated, almost every part being effulgent with
gold. Its general plan is a circle, thirty five feet in diameter,
surmounted by a cupola, and enlarged to the north and south by
coved semicircular recesses (of a ten feet radius), which include
the entrances from the apartments communicating with the Music and
Banqueting rooms. The Cupola springs from a boldly projecting cornice,
composed of various mouldings, apparently, of massive gold, crowned
by a running ornament of flowers, and pendent bells. The ceiling
represents a lightly clouded sky (the sun being dimly seen); in the
centre of which is a gorgeous bird, in full relief, with wings of
flowered gold and silver, enwreathed with serpents, resplendently
coloured crimson and green. This sustains one of the most elaborate
and finely devised lustres, of cut glass, that was ever executed. Its
height is about eighteen feet, and its varying and brilliant tiers
of glittering drops are surrounded, towards the bottom, by radiant
burners, the light of which is softened and diffused around by globes
of ground glass. Four smaller lustres, but of corresponding fancy and
workmanship, are pendent from the ceilings of the recesses.
'On the eastern side are three large windows, splendidly adorned
with festooned curtains of flowered satin, crimson and gold; and the
panels, and other divisions, are enriched with corresponding drapery.
Between the windows are two very large pier glasses, reaching nearly
from the ground to the cornice; and other large glasses surmount the
entrance doorways; all the framework is of an elegantly conceived
pattern, designed from the lotus leaf; and every frame has a rich
canopy, springing from dragons' heads. On the west side is a sumptuous
chimney piece of statuary marble, with enrichments of _ormolu_; and,
in each jamb, within a niche, stands a Chinese figure; these figures,
which are of metal, are highly painted and varnished, and the dresses
are finely pencilled. Over the chimney piece is a vast looking glass,
thirteen feet high, and eight feet wide, in front of which stands an
elegant dial by Vulliamy; this is supported by couchant dragons of blue
porcelain, and enclosed in a China case surrounded by golden wreaths of
the lotus and sunflower plants. Surmounting the dial, is a Chinese male
figure seated, with a boy on his shoulder, a girl at his side, and a
dog on his lap.
Public-domain text, read in full here on John Shaqi.
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