Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.Jean Paul
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Flower, Fruit, and Thorn Pieces;: or, the Wedded Life, Death, and Marriage of Firmian Stanislaus Siebenkaes, Parish Advocate in the Burgh of Kuhschnappel.
Jean Paul
German fiction -- Translations into English
As it is now several years since my hero was thus lightened of his
worthy name by this friendly name-stealer receiving the other worthy
name in exchange, I can't do anything to alter this in my chapters. I
must go on calling him Firmian Stanislaus Siebenkæs as I did at the
beginning, and the other Leibgeber; although it is quite unnecessary
for any reviewer to point out to me that the more comic name of
Siebenkæs would have been better suited to this more humoristic
newcomer, with whom, however, the world shall yet be better acquainted
than I am myself.
When these two counterparts caught sight of one another in the church,
their blushing faces crinkled and curled oddly, at which the looker-on
laughed, until he compared the faces with the eyes, which glowed warm
with the deepest affection. While the wedding-rings were being
exchanged, Leibgeber in the choir took from his pocket a pair of
scissors and a quarto sheet of black paper, and cut out a distant view
of the bride's profile. This cutting out of likenesses he generally
gave out as being his cookshop and bakery upon his perpetual
journeyings; and as it appears that this strange man does not choose to
disclose upon what eminences the waters gather which well up for him
down in the valleys, I am glad to quote (and express my own belief in)
a frequent saying of his regarding his profile cutting--"In the process
of clipping, slices of bread, we know, fall with the cuttings for the
bookbinder, the letter-writer, and the lawyer, when the paper is white;
but in clipping _black_ paper, whether profiles or white mourning
letters with black borders, there fall many more: and if a man is
versed in the liberal art of painting his fellow Christian blacker than
he is--with more members than one--the tongue for instance can do it to
some extent--then Fortune, the Babylonish harlot, will ring that man's
bells (his dinner bell, and his little altar bell), till her arm is
half crippled."
While the deacon was laying his hands on the pair, Leibgeber came down
and stood at the red velvet steps of the altar. And when the ceremony
was over he made, on the occasion of a meeting such as this, after a
separation of some half-a-year or so, the following somewhat lengthy
speech:--
"Good morning, Siebenkæs."
They never said more to each other, though years might have elapsed;
and at the resurrection of the dead, Siebenkæs will answer him, just as
he did to-day,--
"Good morning, Leibgeber."
The twelve hours of banter, however, which friends often find it an
easy matter to threaten each other with in absence, are an
impossibility to the tender heart, keenly enough alive though it may be
to the humorous sides of matters, when it is moved (as in this case) at
the sight of the friend passing into the vestibule of some new
labyrinth of our subterranean existence.
Public-domain text, read in full here on John Shaqi.
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