Flower o' the Heather: A Story of the Killing TimesMacKenna, Robert William
History
Flower o' the Heather: A Story of the Killing Times
MacKenna, Robert William
Adventure stories; Covenanters -- Scotland -- Fiction; Love stories; Scotland -- History -- 17th century -- Fiction
I judged from the position of the sun that it was near six of the
morning when I crawled into my bed, and soon I was fast asleep. It was
high noon when I awoke and peered cautiously through the fronds of the
bracken on a solitude as absolute as it was in the early hours of the
morning. I felt sorely tempted to venture out for a little while; but
discretion counselled caution, and I lay down once more and was soon
fast asleep. When I awoke again I saw that the sun was setting.
I rose and stretched my stiffened limbs. The loch lay in the twilight
smooth as a sheet of polished glass. I went down to its edge and,
undressing, plunged into its waters, still warm from the rays of the
summer sun. Greatly refreshed, I swam ashore, dressed, and ate some food
from my rapidly diminishing store. I had found in the burn-trout an
unexpected addition to my larder, but it was evident that very soon I
should be in sore straits.
Suddenly, I heard a shrill sound cleave the air. Quickly I crawled under
the shelter of the nearest rock and listened. The sound was coming from
the heather slopes on the other side of the loch and I soon became aware
that it was from a flute played by a musician of skill. I was amazed
and awed. The gathering darkness, the loneliness of the hills, the
stillness of the loch, gave to the music a weird and haunting beauty. I
could catch no glimpse of the player, but now I knew that I was not
alone in this mountain solitude. The music died away only to come again
with fresh vigour as the player piped a jigging tune. It changed once
more, and out of the darkness and distance floated an old Scots
melody--an echo of hopeless sorrow from far off years. It ceased.
I waited until the darkness was complete, and, taking a careful note of
the bearings of my hiding-place, I set out with silent footsteps to the
other side of the loch to see if I could discover, without myself being
seen, this hill-side maker of music. Slowly I rounded the end of the
loch, and stole furtively along its edge till I came to a point below
the place from which I judged the melody had come. There, crouching
low, and pausing frequently, I went up the slope. Suddenly I heard a
voice near me, and sank to the ground. No man in his senses speaks
aloud to himself! There must be two people at least on this hill-side,
and my solitude and safety were delusions! I cursed myself for a fool,
and then as the speaker raised his voice I knew that I was not listening
to men talking together, but to a man praying to his Maker--a
Covenanter--a fugitive like myself--hiding in these fastnesses.
Silently as I had come I stole away and left the moorland saint alone
with his God.
*CHAPTER VII*
*THE FLUTE-PLAYER*
Public-domain text, read in full here on John Shaqi.
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