Flowers from a Persian Garden and Other PapersClouston, W. A. (William Alexander)
History
Flowers from a Persian Garden and Other Papers
Clouston, W. A. (William Alexander)
Middle Eastern literature -- History and criticism
_ADDITIONAL NOTES:_
Adam and the Oil of Mercy
Muslim Legend of Adam's Punishment, Pardon, Death, and Burial
Moses and the Poor Woodcutter
Precocious Sagacity of Solomon
Solomon and the Serpent's Prey
The Capon-carver
The Fox and the Bear
The Desolate Island
Other Rabbinical Legends and Tales
AN ARABIAN TALE OF LOVE.
_ADDITIONAL NOTES:_
'Wamik and Asra'
Another Famous Arabian Lover
APOCRYPHAL LIFE OF ESOP.
_ADDITIONAL NOTE:_
Drinking the Sea Dry
IGNORANCE OF THE CLERGY IN THE MIDDLE AGES.
THE BEARDS OF OUR FATHERS.
INDEX.
FLOWERS FROM A PERSIAN GARDEN.
I
SKETCH OF THE LIFE OF THE PERSIAN POET SAADI--CHARACTER OF HIS
WRITINGS--THE "GULISTAN"--PREFACES TO BOOKS--PREFACE TO THE
"GULISTAN"--EASTERN POETS IN PRAISE OF SPRINGTIDE.
It is remarkable how very little the average general reader knows
regarding the great Persian poet Saadi and his writings. His name is
perhaps more or less familiar to casual readers from its being appended
to one or two of his aphorisms which are sometimes reproduced in odd
corners of popular periodicals; but who he was, when he lived, and what
he wrote, are questions which would probably puzzle not a few, even of
those who consider themselves as "well read," to answer without first
recurring to some encyclopaedia. Yet Saadi was assuredly one of the most
gifted men of genius the world has ever known: a man of large and
comprehensive intellect; an original and profound thinker; an acute
observer of men and manners; and his works remain the imperishable
monument of his genius, learning, and industry.
Maslahu 'd-Din Shaykh Saadi was born, towards the close of the twelfth
century, at Shiraz, the famous capital of Fars, concerning which city
the Persians have the saying that "if Muhammed had tasted the pleasures
of Shiraz, he would have begged Allah to make him immortal there." In
accordance with the usual practice in Persia, he assumed as his
_takhallus_, or poetical name,[1] Saadi, from his patron Atabag Saad bin
Zingi, sovereign of Fars, who encouraged men of learning in his
principality. Saadi is said to have lived upwards of a hundred years,
thirty of which were passed in the acquisition of knowledge, thirty more
in travelling through different countries, and the rest of his life he
spent in retirement and acts of devotion. He died, in his native city,
about the year 1291.
[1] One reason, doubtless, for Persian and Turkish poets
adopting a _takhallus_ is the custom of the poet
introducing his name into every ghazal he composes,
generally towards the end; and as his proper name would
seldom or never accommodate itself to purposes of verse
he selects a more suitable one.
Public-domain text, read in full here on John Shaqi.
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