By that time the nobility had built so many sanctuaries in their
domains that they had to be interdicted from establishing useless
private foundations and, in a more democratic spirit, sixteen or
seventeen churches, all edifices of dignity, were begun. Then Bishop
Ebbon saw a golden opportunity to build a magnificent cathedral on the
long-hallowed soil of Rheims. There the Druid had raised his altar,
there the Roman his temple, which may have absorbed the old Druid’s
stones into its walls as it had his old gods into its adaptive bosom,
to fall, in its turn, a mightier pile, from which the Christian built
again and again as he grew in skill. Indeed, beyond their generation
the people of Rheims were experienced builders. In addition to all
the stone quarried by varied worshipers of the long past at Rheims,
Louis the Pious put at Ebbon’s service the materials of the city wall
and sent him his favorite architect—Rumald. And it was found that the
new cathedral protected the city better than the old walls. _La paix
religieuse_ turned away many an invader. One golden cup from the altar
bought off the Norsemen (not that it turned their hearts); they swooped
down upon Chartres instead.
The old chroniclers assure us that this early Cathedral of Rheims was
the finest in the realm. It must have beggared description, for what
manner of building it was none of them seem to say. But they tell of
its wonderful altar of Our Lady, covered with gold and studded with
gems, upon which stood a glorious virgin made of solid gold. That
impressed them. Was this altar built with the loot of war? Was it
built in remorse, or, worse, in mercenary superstition? Or was it
lavished like the woman’s precious ointment upon our Savior? This much
it certainly was,—a united tribute of the material to the immaterial,
coming from many men of many minds.
It was about this time that the Virgin became so peculiarly near and
dear to the Catholic world. They loaded her with jewels and appealed to
her as one of themselves, human, though divinely so. They painted her
on the inside of their jewel boxes that she might turn the heart of the
thief; they appealed to her in embarrassing human situations and loved
her as a helpful, pitying woman who brought religion home to them.
In due time this golden Virgin of Rheims, so imposing, so splendid to
her rude worshipers, gently made way for a line of tenderer virgins who
were gradually infusing sweetness and skill into those who sought to
spiritualize wood and stone into a suggestion of the mother of Christ.
When the old ninth century church at Rheims was burned it is supposed
that the barbarians’ gold was minted to rebuild the cathedral. Or shall
we say that, purified by fire, the golden Virgin arose again and again
from her ashes to rebuild her shrine in maturer beauty?
Public-domain text, read in full here on John Shaqi.
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