Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
He passed within the shade of the great elm, and then suddenly came to
a full stop. A few yards in front of him the boy was performing his
imaginary violin solo on a broken string, and the sight went straight
to the heart of that musical faculty whose shy divinity was the flute.
For a few moments he stood looking on in silence, with all the sympathy
of a musician for a comrade in poverty and distress.
Other ties also bound him to the boy. If the divine voice had said to
the Reverend James Moore: "Among all the people of this town, it will
be allowed you to save but one soul. Choose you which that shall be,"
he would have replied: "Lord, this is a hard saying, for I wish to save
them all. But if I must choose, let it be the soul of this lad."
The boy's father and he had been boyhood friends in Virginia,
room-mates and classmates in college, and together they had come to
Kentucky. Summoned to the tavern on the night of the fatal brawl, he
had reached the scene only in time to lay his old playfellow's head on
his bosom, and hear his last words:
"Be kind to my boy!... Be a better father to him than I have been!...
Watch over him and help him!... Guard him from temptation!... Be kind
to him in his little weaknesses!... Win his heart, and you can do
everything with him!... Promise me this!"
"So help me Heaven, all that I can do for him I will do!"
[Illustration: Man kneeling at bedside]
From that moment he had taken upon his conscience, already toiling
beneath its load of cares, the burden of this sacred responsibility.
During the three years of his guardianship that had elapsed, this
burden had not grown lighter; for apparently he had failed to acquire
any influence over the lad, or to establish the least friendship
with him. It was a difficult nature that had been bequeathed him to
master--sensitive, emotional, delicate, wayward, gay, rebellious of
restraint, loving freedom like the poet and the artist. The Reverend
James Moore, sitting in the chair of logic, moral philosophy,
metaphysics, and belles-lettres; lecturing daily to young men on all
the powers and operations of the human mind, taking it to pieces and
putting it together and understanding it so perfectly, knowing by name
every possible form of fallacy and root of evil--the Reverend James
Moore, when he came to study the living mind of this boy, confessed to
himself that he was as great a dunce as the greatest in his classes.
But he loved the boy, nevertheless, with the lonely resources of his
nature, and he never lost hope that he would turn to him in the end.
How long he might have stood now looking on and absorbed with the
scene, it is impossible to say; for the lad, happening to look up and
see him, instantly, with a sidelong scoop of his hand, the treasures on
the sidewalk disappeared in a cavernous pocket, and the next moment he
had seized his crutch, and was busy fumbling at a loosened nail.
Public-domain text, read in full here on John Shaqi.
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