Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
Two hours later he issued from the house, and set his face in the
direction of the museum--a face full of excitement still, but full also
of pain, because he had no money, and saw no chance of getting any. It
was a dull time of the year for his mother's work. Only the day before
she had been paid a month's earnings, and already the money had been
laid out for the frugal expenses of the household. It would be a long
time before any more would come in, and in the mean time the exhibition
of wax figures would have been moved to some other town. When he had
told her that the parson had said that she must go to see them, she had
smiled fondly at him from beside her loom, and quietly shaken her head
with inward resignation; but when he told her the parson had said _he_
must be sure to go too, the smile had faded into an expression of fixed
sadness.
On his way down town he passed the little music store of Mr. Leuba,
which was one block this side of the Kentucky Hotel. He was all
eagerness to reach the museum, but his ear caught the sounds of the
violin, and he forgot everything else in his desire to go in and speak
with Tom, for Tom was his lord and master.
"Tom, are you going to see the wax figures?" he cried, with trembling
haste, curling himself on top of the keg of nails in his accustomed
corner of the little lumber-room. But Tom paid no attention to the
question or the questioner, being absorbed in executing an intricate
passage of "O Thou Fount of every Blessing!" For the moment David
forgot his question himself, absorbed likewise in witnessing this
envied performance.
When Tom had finished, he laid the violin across his knees and wiped
his brow with his shirt-sleeves. "Don't you know that you oughtn't to
talk to me when I'm performing?" he said, loftily, still not deigning
to look at his offending auditor. "Don't you know that it disturbs a
fiddler to be spoken to when he's performing?"
[Illustration: "EXECUTING AN INTRICATE PASSAGE."]
Tom was an overgrown, rawboned lad of some fifteen years, with stubby
red hair, no eyebrows, large watery blue eyes, and a long neck with a
big Adam's apple.
"I didn't mean to interrupt you, Tom," said David, in a tone of the
deepest penitence. "You know that I'd rather hear you play than
anything."
"Father got the thousand-dollar prize," said Tom coldly, accepting the
apology for the sake of the compliment.
"Oh, _Tom_! I'm so glad! _Hurrah!_" shouted David, waving his old blue
cap around his head, his face transfigured with joy, his heart leaping
with a sudden hope, and now at last he would get the violin.
"What are _you_ glad for?" said Tom, with dreadful severity. "He's _my_
father; he's not _your_ father;" and for the first time he bestowed a
glance upon the little figure curled up on the nail keg, and bending
eagerly towards him with clasped hands.
"I _know_ he's _your_ father, Tom, but--"
"Well, then, what are you _glad_ for?" insisted Tom. "You're not going
to get any of the money."
Public-domain text, read in full here on John Shaqi.
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