Nicholas was moved to the deepest. "I have but little skill," he said. "The great God did not bestow on me the genius of his favorite children of sculpture. But if so sad and sacred a charge should ever become mine, with his help I will rear such a monument to your memory that as long as it stands none who see it will ever be able to forget you. Year after year your memory shall grow as a legend of the beautiful." When she was gone he sat self-forgetful until the darkness grew impenetrable. As he groped his way out at last along the thick guide-posts of death, her voice seemed to float towards him from every head-stone, her name to be written in every epitaph. The next day a shadow brooded over the place. Day by day it deepened. He went out to seek intelligence of her. In the quarter of the city where she lived he discovered that her name had already become a nucleus around which were beginning to cluster many little legends of the beautiful. He had but to hear recitals of her deeds of kindness and mercy. For the chance of seeing her again he began to haunt the neighborhood; then, having seen her, he would return to his shop the victim of more unavailing desire. All things combined to awake in him that passion of love whose roots are nourished in the soul's finest soil of pity and hopelessness. Once or twice, under some pretext, he made bold to accost her; and once, under the stress of his passion, he mutely lifted his eyes, confessing his love; but hers were turned aside. Meantime he began to dream of the monument he chose to consider she had committed to his making. It should be the triumph of his art; but more, it would represent in stone the indissoluble union of his love with her memory. Through him alone would she enter upon her long after-life of saint-like reminiscence. When the tidings of her death came, he soon sprang up from the prostration of his grief with a burning desire to consummate his beloved work. "Year after year your memory shall grow as a legend of the beautiful." These words now became the inspiration of his masterpiece. Day and night it took shape in the rolling chaos of his sorrow. What sculptor in the world ever espoused the execution of a work that lured more irresistibly from their hiding-places the shy and tender ministers of his genius? What one ever explored with greater boldness the utmost limits of artistic expression, or wrought in sterner defiance of the laws of our common forgetfulness? III. One afternoon, when people thronged the great cemetery of the city, a strolling group were held fascinated by the unique loveliness of a newly erected monument. "Never," they exclaimed, "have we seen so exquisite a masterpiece. In whose honor is it erected?" But when they drew nearer, they found carved on it simply a woman's name. "Who was she?" they asked, puzzled and disappointed. "Is there no epitaph?"