Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
But Nicholas had scarcely heard her. His eyes had become riveted upon
her hand, which rested on the marble, as white as though grown out of
it under the labors of his chisel.
"My lady," he said, with the deepest respect, "will you permit me to
look at your hand? I have carved many a one in marble, and studied many
a one in life; but never have I seen anything so beautiful as yours."
He took it with an artist's impetuosity and bent over it, laying its
palm against one of his own and stroking it softly with the other. The
blood leaped through his heart, and he suddenly lifted it to his lips.
"God only can make the hand beautiful," he said.
Displaced by her arm which he had upraised, the light fabric that had
concealed her figure parted on her bosom and slipped to the ground.
His eyes swept over the perfect shape that stood revealed. The veil
still concealed her face. The strangely mingled emotions that had
been deepening within him all this time now blended themselves in one
irrepressible wish.
"Will you permit me to see your face?"
She drew quickly back. A subtle pain was in his voice as he cried:
"Oh, my lady? I ask it as one who has pure eyes for the beautiful."
"My face belongs to my past. It has been my sorrow; it is nothing now."
"Only permit me to see it!"
"Is there no other face you would rather see?"
Who can fathom the motive of a woman's questions?
"None, none!"
She drew aside her veil, and her eyes rested quietly on his like a
revelation. So young she was as hardly yet to be a woman, and her
beauty had in it that seraphic purity and mysterious pathos which
is never seen in a woman's face until the touch of another world
has chastened her spirit into the resignation of a saint. The heart
of Nicholas was wrung by the sight of it with a sudden sense of
inconsolable loss and longing.
"Oh, my lady!" he cried, sinking on one knee and touching his lips to
her hand with greater gentleness. "Do you indeed think the beauty of a
woman so soon forgotten? As long as I live, yours will be as fresh in
my memory as it was the moment after I first saw it in its perfection
and felt its power."
"Do not recall to me the sorrow of such thoughts." She touched her
heart. "My heart is a tired hour-glass. Already the sands are well-nigh
run through. Any hour it may stop, and then--out like a light!
Shapeless ashes! I have loved life well, but not so well that I have
not been able to prepare to leave it."
She spoke with the utmost simplicity and calmness, yet her eyes were
turned with unspeakable sadness towards the shadowy recesses of the
room, where from their pedestals the monumental figures looked down
upon her as though they would have opened their marble lips and said,
"Poor child! Poor child!"
"I have had my wish to see you and to see this place. Before long some
one will come here to have you carve a monument to the most perishable
of all things. Like the poor mother who had no wish to be remembered--"
Public-domain text, read in full here on John Shaqi.
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