Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
The next minute, with a sense of triumph and bounding joy, the
poverty-tortured, friendless little thief had crossed the threshold
of the museum, and stood face to face with the Redeemer of the world;
for the picture was so hung as to catch the eye upon entering, and
it arrested his quick, roving glance and held it in awe-stricken
fascination. Unconscious of his own movements, he drew nearer and
nearer, until he stood a few feet in front of the arc of spectators,
with his breathing all but suspended, and one hand crushing the old
blue cloth cap against his naked bosom.
[Illustration: BEFORE THE PICTURE.]
It was a strange meeting. The large rude painting possessed no claim
to art. But to him it was an overwhelming revelation, for he had
never seen any pictures, and he was gifted with an untutored love of
painting. Over him, therefore, it exercised an inthralling influence,
and it was as though he stood in the visible presence of One whom he
knew that the parson preached of and his mother worshipped.
Forgetful of his surroundings, long he stood and gazed. Whether it
may have been the thought of the stolen quarter that brought him
to himself, at length he drew a deep breath, and looked quickly
around with a frightened air. From across the room he saw Mr. Leuba
watching him gravely, as it seemed to his guilty conscience, with
fearful sternness. A burning flush dyed his face, and he shrank back,
concealing himself among the crowd. The next moment, without ever
having seen or so much as thought of anything else in the museum, he
slipped out into the street.
There the eyes of everybody seemed turned upon him. Where should he go?
Not home. Not to Mr. Leuba's music-store. No; he could never look into
Mr. Leuba's face again. And Tom? He could hear Tom crying out, wherever
he should meet him, "You stole a quarter from father."
In utter terror and shame, he hurried away out to the southern end of
the town, where there was an abandoned rope-walk.
It was a neglected place, damp and unhealthy. In the farthest corner
of it he lay down and hid himself in a clump of iron-weeds. Slowly
the moments dragged themselves along. Of what was he thinking? Of his
mother? Of the parson? Of the violin that would now never be his? Of
that wonderful sorrowful face which he had seen in the painting? The
few noises of the little town grew very faint, the droning of the
bumblebee on the purple tufts of the weed overhead very loud, and
louder still the beating of his heart against the green grass as he lay
on his side, with his head on his blue cap and his cheek in his hand.
And then he fell asleep.
When he awoke he started up bewildered. The sun had set, and the heavy
dews of twilight were falling. A chill ran through him; and then the
recollection of what had happened came over him with a feeling of
desolation. When it was quite dark he left his hiding-place and started
back up-town.
Public-domain text, read in full here on John Shaqi.
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