Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
In one corner of his sensual mouth rested the stump of a cigar. Once
during the proceedings he had produced another, lighted it, and
continued quietly smoking. If he took to himself any shame as the
central figure of this ignoble performance, no one knew it. There was
something almost royal in his unconcern. The humor, the badinage, the
open contempt, of which he was the public target, fell thick and fast
upon him, but as harmlessly as would balls of pith upon a coat of mail.
In truth, there was that in his great, lazy, gentle, good-humored bulk
and bearing which made the gibes seem all but despicable. He shuffled
from one foot to the other as though he found it a trial to stand up so
long, but all the while looking the spectators full in the eyes without
the least impatience. He suffered the man of the factory to walk round
him and push and pinch his muscles as calmly as though he had been the
show bull at a country fair. Once only, when the sheriff had pointed
across the street at the figure of Mr. Clay, he had looked quickly in
that direction with a kindling light in his eye and a passing flush on
his face. For the rest, he seemed like a man who has drained his cup of
human life and has nothing left him but to fill again and drink without
the least surprise or eagerness.
The bidding between the man of the factory and the student had gone
slowly on. The price had reached ten dollars. The heat was intense,
the sheriff tired. Then something occurred to revivify the scene.
Across the market-place and towards the steps of the court-house
there suddenly came trundling along in breathless haste a huge old
negress, carrying on one arm a large shallow basket containing apple
crab-lanterns and fresh gingerbread. With a series of half-articulate
grunts and snorts she approached the edge of the crowd and tried to
force her way through. She coaxed, she begged, she elbowed and pushed
and scolded, now laughing, and now with the passion of tears in her
thick, excited voice. All at once, catching sight of the sheriff, she
lifted one ponderous brown arm, naked to the elbow, and waved her hand
to him above the heads of those in front.
"Hole on, marseter! Hole on!" she cried, in a tone of humorous
entreaty. "Don' knock 'im off till I come! Gim _me_ a bid at 'im!"
The sheriff paused and smiled. The crowd made way tumultuously, with
broad laughter and comment.
"Stan' aside theah an' let Aun' Charlotte in!"
"_Now_ you'll see biddin'!"
"Get out of the way foh Aun' Charlotte!"
"Up, my free niggah! Hurrah foh Kentucky!"
A moment more and she stood inside the ring of spectators, her basket
on the pavement at her feet, her hands plumped akimbo into her
fathomless sides, her head up, and her soft, motherly eyes turned
eagerly upon the sheriff. Of the crowd she seemed unconscious, and on
the vagrant before her she had not cast a single glance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account