Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
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Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
Still he did not move from the window-sill. He was thinking of Harry
Sikes, who had shaved him many a time for nothing. Then he suddenly
called down to her:
"Have many died of the cholera? Are there many cases in town?"
She went on with her preparations and took no notice of him. He
repeated the question. She got down quickly from the cart and began to
mount the staircase. He went back to bed, pulled the sheet up over him,
and propped himself up among the pillows. Her soft, heavy footsteps
slurred on the stair-way as though her strength were failing, and as
soon as she entered the room she sank into a chair, overcome with
terror. He looked at her with a sudden sense of pity.
"Don't be frightened," he said, kindly. "It might only make it the
worse for you."
"I can' he'p it, honey," she answered, wringing her hands and rocking
herself to and fro; "de ole niggah can' he'p it. If de Lohd jes spah
me to git out'n dis town wid you! Honey, ain' you able to put on yo'
clo'es?"
"You've tied them all up in the sheet."
"De Lohd he'p de crazy ole niggah!"
She started up and tugged at the bundle, and laid out a suit of his
clothes, if things so incongruous could be called a suit.
"Have many people died of the cholera?"
"Dey been dyin' like sheep ev' since yestidd'y mohnin'--all day, en all
las' night, en dis mohnin'! De man he done lock up de huss, en dey been
buryin' 'em in cyarts. En de grave-diggah he done run away, en hit look
like d' ain' nobody to dig de graves."
She bent over the bundle, tying again the four corners of the sheet.
Through the window came the sound of the quick hammers driving nails.
She threw up her arms into the air, and then seizing the bundle dragged
it rapidly to the door.
"You heah dat? Dey nailin' up cawfins in de lumbah-yahd! Put on yo'
clo'es, honey, en come on."
A resolution had suddenly taken shape in his mind.
"Go on away and save your life. Don't wait for me; I'm not going. And
good-bye, Aunt Charlotte, in case I don't see you any more. You've been
very kind to me--kinder than I deserved. Where have you put my mattock
and spade?"
He said this very quietly, and sat up on the edge of the bed, his feet
hanging down, and his hand stretched out towards her.
"Honey," she explained, coaxingly, from where she stood, "can't you
sobah up a little en put on yo' clo'es? I gwine to tek you 'way to
de country. You don' wan' no tools. You can' dig no cellahs now. De
chol'ra's in town en de people's dyin' like sheep."
"I expect they will need me," he answered.
She perceived now that he was sober. For an instant her own fear was
forgotten in an outburst of resentment and indignation.
"Dig graves fuh 'em, when dey put you up on de block en sell you same
ez you wuz a niggah! Dig graves fuh 'em, when dey allers callin' you
names on de street en makin' fun o' you!"
"They are not to blame. I have brought it on myself."
"But we can' stay heah en die o' de chol'ra!"
"You mustn't stay. You must go away at once."
Public-domain text, read in full here on John Shaqi.
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