Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
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Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
"Get out of my way, you old beast!" he cried. "If the cholera would
carry you off it would be a blessing to the town."
Two or three little children, already orphaned and hungry, wandered
past, crying and wringing their hands. A crowd of negro men with the
muscles of athletes, some with naked arms, some naked to the waist,
their eyes dilated, their mouths hanging open, sped along in tumultuous
disorder. The plague had broken out in the hemp factory and scattered
them beyond control.
He grew suddenly faint and sick. His senses swam, his heart seemed to
cease beating, his tongue burned, his throat was dry, his spine like
ice. For a moment the contagion of deadly fear overcame him, and,
unable to stand, he reeled to the edge of the sidewalk and sat down.
Before him along the street passed the flying people--men on horseback
with their wives behind and children in front, families in carts and
wagons, merchants in two-wheeled gigs and sulkies. A huge red and
yellow stage-coach rolled ponderously by, filled within, on top, in
front, and behind with a company of riotous students of law and of
medicine. A rapid chorus of voices shouted to him as they passed:
"Good-bye, Solomon!"
"The cholera'll have you befoah sunset!"
"Better be diggin' yoah grave, Solomon! That 'll be yoah last cellah."
"Dig us a big wine cellah undah the Medical Hall while we are away."
"And leave yo' body there! We want yo' skeleton."
"Good-bye, old Solomon!"
A wretched carry-all passed with a household of more wretched women;
their tawdry and gay attire, their haggard and painted and ghastly
faces, looking horrible in the blaze of the pitiless sunlight. They,
too, simpered and hailed him and spent upon him their hardened and
degraded badinage. Then there rolled by a high-swung carriage, with
the most luxurious of cushions, upholstered with morocco, with a
coat-of-arms, a driver and a footman in livery, and drawn by sparkling,
prancing horses. Lying back on the satin cushions a fine gentleman; at
the window of the carriage two rosy children, who pointed their fingers
at the vagrant and turned and looked into their father's face, so that
he leaned forward, smiled, leaned back again, and was whirled away to a
place of safety.
Thus they passed him, as he sat down on the sidewalk--even physicians
from their patients, pastors from their stricken flocks. Why should
not he flee? He had no ties, except the faithful affection of an old
negress. Should he not at least save her life by going away, seeing
that she would not leave him?
The orphaned children wandered past again, sobbing more wearily. He
called them to him.
"Why do you not go home? Where is your mother?" he asked.
"She is dead in the house," they answered; "and no one has come to bury
her."
Public-domain text, read in full here on John Shaqi.
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