Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
Peter always polished his shoes with too much blacking, perhaps
thinking that the more the blacking the greater the proof of love. He
wore his clothes about a season and a half--having several suits--and
then passed them on to Peter, who, foreseeing the joy of such an
inheritance, bought no new ones. In the act of transferring them the
colonel made no comment until he came to the hose, from which he seemed
unable to part without a final tribute of esteem, as: "These are fine,
Peter;" or, "Peter, these are nearly as good as new." Thus Peter, too,
was dragged through the whims of fashion. To have seen the colonel
walking about his grounds and garden followed by Peter, just a year and
a half behind in dress and a yard and a half behind in space, one might
well have taken the rear figure for the colonel's double, slightly the
worse for wear, somewhat shrunken, and cast into a heavy shadow.
Time hung so heavily on his hands at night that with a happy
inspiration he added a dress suit to his wardrobe, and accepted the
first invitation to an evening party.
He grew excited as the hour approached, and dressed in a great fidget
for fear he should be too late.
"How do I look, Peter?" he inquired at length, surprised at his own
appearance.
"Splendid, Marse Rom," replied Peter, bringing in the shoes with more
blacking on them than ever before.
"I think," said the colonel, apologetically--"I think I'd look better
if I'd put a little powder on. I don't know what makes me so red in the
face."
But his heart began to sink before he reached his hostess's, and
he had a fearful sense of being the observed of all observers as he
slipped through the hall and passed rapidly up to the gentlemen's room.
He stayed there after the others had gone down, bewildered and lonely,
dreading to go down himself. By-and-by the musicians struck up a waltz,
and with a little cracked laugh at his own performance he cut a few
shines of an unremembered pattern; but his ankles snapped audibly, and
he suddenly stopped with the thought of what Peter would say if he
should catch him at these antics. Then he boldly went down-stairs.
He had touched the new human life around him at various points: as he
now stretched out his arms towards its society, for the first time he
completely realized how far removed it was from him. Here he saw a
younger generation--the flowers of the new social order--sprung from
the very soil of fraternal battle-fields, but blooming together as
the emblems of oblivious peace. He saw fathers, who had fought madly
on opposite sides, talking quietly in corners as they watched their
children dancing, or heard them toasting their old generals and their
campaigns over their champagne in the supper-room. He was glad of it;
but it made him feel, at the same time, that, instead of treading
the velvety floors, he ought to step up and take his place among the
canvases of old-time portraits that looked down from the walls.
Public-domain text, read in full here on John Shaqi.
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