Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
The dancing he had done had been not under the blinding glare of
gaslight, but by the glimmer of tallow-dips and star-candles and the
ruddy glow of cavernous firesides--not to the accompaniment of an
orchestra of wind-instruments and strings, but to a chorus of girls'
sweet voices, as they trod simpler measures, or to the maddening sway
of a gray-haired negro fiddler standing on a chair in the chimney
corner. Still, it is significant to note that his saddest thought, long
after leaving, was that his shirt bosom had not lain down smooth, but
stuck out like a huge cracked egg-shell; and that when, in imitation of
the others, he had laid his white silk handkerchief across his bosom
inside his vest, it had slipped out during the evening, and had been
found by him, on confronting a mirror, flapping over his stomach like a
little white masonic apron.
"Did you have a nice time, Marse Rom?" inquired Peter, as they drove
home through the darkness.
"Splendid time, Peter, splendid time," replied the colonel, nervously.
"Did you dance any, Marse Rom?"
"I didn't _dance_. Oh, I _could_ have danced if I'd _wanted_ to; but I
didn't."
Peter helped the colonel out of the carriage with pitying gentleness
when they reached home. It was the first and only party.
Peter also had been finding out that his occupation was gone.
Soon after moving to town, he had tendered his pastoral services
to one of the fashionable churches of the city--not because it was
fashionable, but because it was made up of his brethren. In reply
he was invited to preach a trial sermon, which he did with gracious
unction.
It was a strange scene, as one calm Sunday morning he stood on the edge
of the pulpit, dressed in a suit of the colonel's old clothes, with one
hand in his trousers-pocket, and his lame leg set a little forward at
an angle familiar to those who know the statues of Henry Clay.
How self-possessed he seemed, yet with what a rush of memories did
he pass his eyes slowly over that vast assemblage of his emancipated
people! With what feelings must he have contrasted those silk hats,
and walking-canes, and broadcloths; those gloves and satins, laces
and feathers, jewelry and fans--that whole many-colored panorama of
life--with the weary, sad, and sullen audiences that had often heard
him of old under the forest trees or by the banks of some turbulent
stream!
In a voice husky, but heard beyond the flirtation of the uttermost pew,
he took his text: "Consider the lilies of the field, how they grow;
they toil not, neither do they spin." From this he tried to preach a
new sermon, suited to the newer day. But several times the thoughts of
the past were too much for him, and he broke down with emotion.
Public-domain text, read in full here on John Shaqi.
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