Flute and Violin, and Other Kentucky Tales and Romances — John Shaqi
Flute and Violin, and Other Kentucky Tales and RomancesAllen, James Lane
General
Flute and Violin, and Other Kentucky Tales and Romances
Allen, James Lane
Kentucky -- Social life and customs -- Fiction; Short stories, American
At length the parson, as if in for it, and possessed to go all
lengths, jumped from his chair, laid the flute on the table, and
disappeared in a hidden corner of the room. Here he kept closely locked
a large brass-nailed hair trunk, over which hung a looking-glass.
For ten minutes the two women waited for him to reappear, and
then he did reappear, not in the same clothes, but wearing the
ball dress of a Virginia gentleman of an older time, perhaps his
grandfather's--knee-breeches, silk stockings, silver buckles, low
shoes, laces at his wrists, laces at his throat and down his bosom. And
to make the dress complete he had actually tied a blue ribbon around
his long silky hair. Stepping airily and gallantly to the table, he
seized the flute, and with a little wave of it through the air he began
to play, and to tread the mazes of the minuet, about the room, this way
and that, winding and bowing, turning and gliding, but all the time
fingering and blowing for dear life.
"Who would have thought it was in him?" said Arsena, her fear changed
to admiration.
"_I_ would!" said the widow.
While he was in the midst of this performance the two women had their
attention withdrawn from him in a rather singular way. A poor lad
hobbling on a crutch made his appearance in the street below, and
rapidly but timidly swung himself along to the widow Spurlock's door.
There he paused a moment, as if overcome by mortification, but finally
knocked. His summons not being answered, he presently knocked more
loudly.
"Hist!" said the widow to him, in a half-tone, opening a narrow slit in
the curtain. "What do you want, David?"
The boy wheeled and looked up, his face at once crimson with shame. "I
want to see the parson," he said, in a voice scarcely audible.
"The parson's not at home," replied the widow, sharply. "He's out;
studying up a sermon." And she closed the curtain.
An expression of despair came into the boy's face, and for a moment in
physical weakness he sat down on the door-step. He heard the notes of
the flute in the room above; he knew that the parson _was_ at home; but
presently he got up and moved away.
The women did not glance after his retreating figure, being reabsorbed
by the movements of the parson. Whence had he that air of grace and
high-born courtesy? that vivacity of youth?
"He must be in love," said Arsena. "He must be in love with the widow
Babcock."
"He's no more in love with her than _I_ am," replied her companion,
with a toss of her head.
[Illustration: "HE BEGAN TO PLAY."]
Public-domain text, read in full here on John Shaqi.
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