Flying for France: With the American Escadrille at Verdun — John Shaqi
Flying for France: With the American Escadrille at VerdunMcConnell, James R. (James Rogers)
History
Flying for France: With the American Escadrille at Verdun
McConnell, James R. (James Rogers)
World War, 1914-1918 -- Aerial operations
We are called while it's still dark. Sleepily I try to reconcile the
French orderly's muttered, _C'est l'heure, monsieur_, that rouses me
from slumber, with the strictly American words and music of "When That
Midnight Choo Choo Leaves for Alabam'" warbled by a particularly
wide-awake pilot in the next room. A few minutes later, having
swallowed some coffee, we motor to the field. The east is turning gray
as the hangar curtains are drawn apart and our machines trundled out
by the mechanicians. All the pilots whose planes are in
commission--save those remaining behind on guard--prepare to leave.
We average from four to six on a sortie, unless too many flights have
been ordered for that day, in which case only two or three go out at a
time.
Now the east is pink, and overhead the sky has changed from gray to
pale blue. It is light enough to fly. We don our fur-lined shoes and
combinations and adjust the leather flying hoods and goggles. A good
deal of conversation occurs--perhaps because, once aloft, there's
nobody to talk to.
"Eh, you," one pilot cries jokingly to another, "I hope some Boche
just ruins you this morning, so I won't have to pay you the fifty
francs you won from me last night!"
This financial reference concerns a poker game.
"You do, do you?" replies the other as he swings into his machine.
"Well, I'd be glad to pass up the fifty to see you landed by the
Boches. You'd make a fine sight walking down the street of some
German town in those wooden shoes and pyjama pants. Why don't you
dress yourself? Don't you know an aviator's supposed to look _chic?_"
A sartorial eccentricity on the part of one of our colleagues is here
referred to.
GETTING UNDER WAY
The raillery is silenced by a deafening roar as the motors are tested.
Quiet is briefly restored, only to be broken by a series of rapid
explosions incidental to the trying out of machine guns. You loudly
inquire at what altitude we are to meet above the field.
"Fifteen hundred metres--go ahead!" comes an answering yell.
_Essence et gaz!_ [Oil and gas!] you call to your mechanician,
adjusting your gasolene and air throttles while he grips the
propeller.
_Contact!_ he shrieks, and _Contact!_ you reply. You snap on the
switch, he spins the propeller, and the motor takes. Drawing forward
out of line, you put on full power, race across the grass and take the
air. The ground drops as the hood slants up before you and you seem to
be going more and more slowly as you rise. At a great height you
hardly realize you are moving. You glance at the clock to note the
time of your departure, and at the oil gauge to see its throb. The
altimeter registers 650 feet. You turn and look back at the field
below and see others leaving.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account