At Belsay, some two or three miles from Black Heddon, she had a
favourite resort. This was a romantic crag finely studded with trees,
under the gloomy umbrage of which, “like one forlorn,” she loved to
wander all the live–long night. Here often has the belated peasant,
with awe–stricken vision, beheld her dimly through the sombre twilight
as if engaged in splitting great stones, or hewing with many a repeated
stroke some stately “monarch of the grove.” While he thus stood and
gazed, and listened to intimations, impossible to be misapprehended, of
the dread reality of that mysterious being, concerning whom so various
conjectures were awake, all at once, excited by that wondrous agency,
he would hear the howling of a resistless tempest rushing through the
woodland—the branches creaking in violent concussion, or rent into
pieces by the impetuous fury of the blast—while, to the eye, not a leaf
was seen to quiver, or a pensile spray to bend. The bottom of this crag
is washed by a picturesque lake or fish–pond, at whose outlet is a
waterfall, over which a venerable tree, sweeping its leafy arms, adds
impressiveness to the scene. Amid the complicated and contorted limbs
of this tree, Silky possessed a rude chair, where she was wont, in her
moody moments, to sit—wind–rocked—enjoying the rustling of the storm in
the dark woods, or the gush of the cascade. The tree, so consecrated
in the sympathies and terrors of the people of the vicinity, has been
preserved. Though now (1842) no longer tenanted by its aerial visitant,
it yet spreads majestically its time–hallowed canopy over the spot,
awakening in the love–versed rustic, when the winter’s wind waves
gusty and sonorous through its leafless boughs, the soul–harrowing
recollection of the exploits of the ancient fay,—but in the springtime,
beautiful with the full–flushed verdure of that exuberant season,
recipient of the kindling emotions of reverence and affection. It still
bears the name of “Silky’s seat,” in memory of its once wonderful
occupant.
Public-domain text, read in full here on John Shaqi.
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