Folk-Speech of Cumberland and Some Districts Adjacent: Being Short Stories and Rhymes in the Dialects of the West Border CountiesGibson, Alexander Craig
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Folk-Speech of Cumberland and Some Districts Adjacent: Being Short Stories and Rhymes in the Dialects of the West Border Counties
Gibson, Alexander Craig
English language -- Dialects -- England -- Cumberland -- Texts
T’ rain keep’t cūmmin’ doon—t’ rwoad gat softer an’ softer—t’ basket
gat heavier an’ heavier—t’ top sark hetter an’ hetter, an’ my heid
queerer an’ queerer. If I stopt anonder ya tree i’ t’ wūd, I stopt
anonder twenty, an’ coontit ower t’ things i’ t’ basket till they begon
to shap’ theirsels intil o’ mak’s o’ barnish sangs i’ my heid, and I
fūnd mysel’ creunin’ away at sec bits of rhymes as thūrr—
Ten things an’ yan, Bobby,
Ten things an’ yan;
Here five an’ five for Betty Banks,
An’ yan for Betty’s man.
“Lord preserve oor wits—sec as they ūrr,” says I. “I mūn be gā’n wrang
i’ my heid when I’ve teàn till mackin’ sangs!” But t’ queerest break
was ’at I dūddn’t mak’ them—they meàd thersel’s—an’ they meàd me sing
them an’ o’, whedder I wad or nūt—an’ off I went ageàn till a different
teùn—
Says Betty—says she; says Betty till me—
“If owte thou contrives to forgit,
“I’ll reckon thè’ daizter an’ dafter,” says she,
“Nor iver I’ve reckon’t thè’ yit.”
I’s daizter an’ dafter nor iver, she’ll say,
An’ marry, she willn’t say wrang!
But scold as she will, ey, an’ gūrn as she may,
I’ll sing her a bonnie lāl sang, lāl sang,
I’ll sing her a bonnie lāl sang.
“Well! It hes cūm’t till whoa wad hae thowte it,” says I, “if I cannot
stop mysel’ frae mackin’ sangs an’ singin’ them of a wet day i’ Widdup
Wūd; I’ll coont t’ things ower ageàn,” says I, “an’ see if that’ll stop
ma.” Ye ma’ believe ma or nūt, as ye like, but iv anūdder tick-tack
there was I coontin’ t’ things ower iv a sang:—
Here t’ check an’ t’ tape an’ t’ threed, oald lad!
Here t’ soat an’ t’ sugger an’ t’ tea—
Seàp, starch, steàn-blue, an’ t’ bottle to rub,
An’ t’ ’bacca by ’tsel’ on’t for me,
Here t’ ’bacca by ’tsel’ on’t for me, me, me,
Here t’ ’bacca by ’tsel’ on’t for me.
I’ll niver git heàm while Bobby’s my neàm,
But maffle an’ sing till I dee, dee, dee,
But maffle an’ sing till I dee!
“Weel, weel,” says I, “If I _is_ oot o’ my senses—I IS oot o’ my
senses, an’ that’s oa’ aboot it,—but
Loavins what’ll Betty think, Betty think, Betty think,
Loavins what’ll Betty think if Bobby bide away?
She’ll sweer he’s warin’ t’ brass i’ drink, t’ brass i’ drink,
t’ brass i’ drink,
She’ll sweer he’s warin’ t’ brass i’ drink this varra market-day.
She’s thrimlin’ for her būtter-brass, her būtter-brass, her
būtter-brass,
She’s thrimlin’ for her būtter brass, but willn’t thrimle lang.
For Bobby lad thū’s hūr to feàce, thū’s hūr to feàce, thū’s hūr to
feàce,
For Bobby lad, thū’s hūr to feàce; she’ll m’appen change thy sang.
Public-domain text, read in full here on John Shaqi.
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