Bildungsromans; Fathers and sons -- Fiction; First loves -- Fiction; Ireland -- Fiction
I glanced at Katherine, and wanted to say something pleasant to her,
but that was apparently beyond my power. My solitary “No,” in answer to
her question about golf, had been the one word I had so far addressed
to her. I relapsed into silence and did not speak again till dinner was
over.
When we went to the drawing-room it looked as if we were going to have
a musical evening, for Miss Dick sat down at the piano with all the air
of a person opening a concert. She played an arrangement of something
or other, by Thalberg. All Miss Dick’s pieces were arrangements, except
those that were fantasias, and it was a feature of them that the
beginning of the end could be heard about a couple of pages off, in a
series of frantic rushes and arpeggios. She played now with a fierce
concentration on the task to be accomplished; her face getting redder
as Thalberg became more surprising; her mouth screwed up slightly at
the right corner, through which just the tip of her tongue was visible;
her eyes glaring, devouring the sheet of music before her, at which
every now and then she made a frantic grab with her left hand, to turn
the page――she would never allow anybody to turn for her.
When she had struck the last note, to which she indeed gave an
astonishing rap, there was a general sigh, as for a danger evaded.
“My dear, I don’t know how you do it!” Mrs. Carroll murmured, almost as
breathless as the performer.
“It does take it out of one,” Miss Dick panted complacently.
Gerald sat looking on with a barely perceptible smile. “Won’t you play
something now?” Miss Dick said to him.
His eyebrows twitched slightly. “Not just yet, I think. In a little. I
want to smoke a cigarette first.” He passed out on to the terrace, and
we all gazed after him. When he thought, I suppose, that the echoes
awakened by Miss Dick had had time to subside, he came back, and began
to fiddle with the music-stool, screwing it up and down. Yet when he
did commence to play, after many preliminaries, it was in a broken
fragmentary fashion, beginning things and suddenly dropping them after
a few bars. I was prepared not to like him, but he had not struck more
than a note or two when I knew I had never heard the piano really
played before. In spite of myself I felt the dislike I had conceived
for him slipping away, and then, just as I was commencing to enjoy
myself, he stopped abruptly. He got up and walked over to the window
where I sat.
“You haven’t altered, Gerald,” said Mrs. Carroll dryly.
“Do you mean my playing, Aunt?” he asked sweetly. “It is supposed to
have got rather better, but I am sure you are right.”
Public-domain text, read in full here on John Shaqi.
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