Following the Equator: A Journey Around the World. Part 3 — John Shaqi
Following the Equator: A Journey Around the World. Part 3Twain, Mark
General
Following the Equator: A Journey Around the World. Part 3
Twain, Mark
Equator -- Description and travel; Twain, Mark, 1835-1910 -- Travel; Voyages around the world
Presently came the badge of the Club, and very dainty and pretty it was;
and very artistic. It was a frog peeping out from a graceful tangle of
grass-sprays and rushes, and was done in enamels on a gold basis, and had
a gold pin back of it. After I had petted it, and played with it, and
caressed it, and enjoyed it a couple of hours, the light happened to fall
upon it at a new angle, and revealed to me a cunning new detail; with the
light just right, certain delicate shadings of the grass-blades and
rush-stems wove themselves into a monogram--mine! You can see that that
jewel was a work of art. And when you come to consider the intrinsic
value of it, you must concede that it is not every literary club that
could afford a badge like that. It was easily worth $75, in the opinion
of Messrs. Marcus and Ward of New York. They said they could not
duplicate it for that and make a profit. By this time the Club was well
under way; and from that time forth its secretary kept my off-hours well
supplied with business. He reported the Club's discussions of my books
with laborious fullness, and did his work with great spirit and ability.
As a, rule, he synopsized; but when a speech was especially brilliant, he
short-handed it and gave me the best passages from it, written out.
There were five speakers whom he particularly favored in that way:
Palmer, Forbes, Naylor, Norris, and Calder. Palmer and Forbes could
never get through a speech without attacking each other, and each in his
own way was formidably effective--Palmer in virile and eloquent abuse,
Forbes in courtly and elegant but scalding satire. I could always tell
which of them was talking without looking for his name. Naylor had a
polished style and a happy knack at felicitous metaphor; Norris's style
was wholly without ornament, but enviably compact, lucid, and strong.
But after all, Calder was the gem. He never spoke when sober, he spoke
continuously when he wasn't. And certainly they were the drunkest
speeches that a man ever uttered. They were full of good things, but so
incredibly mixed up and wandering that it made one's head swim to follow
him. They were not intended to be funny, but they were,--funny for the
very gravity which the speaker put into his flowing miracles of
incongruity. In the course of five years I came to know the styles of
the five orators as well as I knew the style of any speaker in my own
club at home.
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