Following the Sun-Flag: A Vain Pursuit Through ManchuriaFox, John, Jr.
History
Following the Sun-Flag: A Vain Pursuit Through Manchuria
Fox, John, Jr.
Russo-Japanese War, 1904-1905
* * * * *
She could play the koto (the harp), and the piano a little--could the
Maid of Miyanoshita. She would play neither for me, but that afternoon
she would take me, she said, to hear a friend play the koto--an elderly
friend, whom she called, she said, her aunt. Later, she said she had
asked another gentleman also. Now when I spoke once of the musical click
of the getas, the Happy Exile had told me that the wearers often chose
them, taking only such pairs as pleased the individual ear. The
statement has since been much laughed at, so I asked the Maid of
Miyanoshita for confirmation. She at least did not choose her getas for
their sound.
"But," she said, "the Japanese say the getas go--
"'Kara-ko, kara-ko, kara-ko!'"
The notes she gave were the notes I had heard on the stone platforms of
every station between Tokio and Yokohama, and going straightway to the
piano I found those notes to be F and D in the scale of F Minor. Let the
laugh proceed. The Happy Exile possibly might say that those notes were
the prominent ones in some old national song, and that the geta-makers
had been unconsciously reproducing them ever since.
* * * * *
It was raining. Alack and alas! the Little Maid carried an American
umbrella--impious trail of the Saxon! while the Other Man and I bore
picturesque Japanese ones that would have given the crowning touch to
her, but looked simply ridiculous over us. Thus we went to meet the
exquisite courtesy and genuine kindness of a real Japanese home.
Two kotos were played for us, while the players sang "Wind Among the
Pines," and the tale of the fairies who fell in love with the fisherman.
"Do you like Japanese music?" said the Little Maid to the Other Man.
"Yes," he said promptly, lying like a gentleman.
"Don't you think it is rather monotonous?" she asked.
"Well--um--um. Don't you like Japanese music?" he said, taking refuge.
"Well," she said, "I like your music better, I think. It is more lively
and has more variety."
Then we had tea, and after tea of the kind usually served in Japan, the
husband, a fierce Samurai in the pictures he showed us, but now a
genial, broad-smiling doctor of the old Japanese school, insisted that
we should take bowls of powdered tea which he prepared with his own
hands. In the drinking of this the Little Maid instructed us. We were to
take the bowl, the left hand underneath, the fingers of the right hand
clasped about it, lift it to the forehead, a movement of unspoken
thanks, and very gently, so as not to suggest that the tea needed to be
dissolved, were to roll the tea around in the bowl three times and then
take one drink--making much noise, meanwhile, with the lips to show how
much we enjoyed it.
"That is very vulgar in your country," interrupted the Little Maid, "is
it not so?"
"Well," I said, "lots of people do it, but not for the reason of
courtesy."
Public-domain text, read in full here on John Shaqi.
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