Following the Sun-Flag: A Vain Pursuit Through ManchuriaFox, John, Jr.
History
Following the Sun-Flag: A Vain Pursuit Through Manchuria
Fox, John, Jr.
Russo-Japanese War, 1904-1905
With bird-like cries the rickshaw men turn under an arched gateway into
a little court-yard paved with stones. The wheels rattle as in a hollow
vault and come to a sudden halt. Straightway there is an answering
bustle and the shuffling of many little feet along the polished floors
to the entrance of the tea-house, and many little brown maidens kneel
there and smile and gurgle a welcome. There the shoes of the visitor
come off, and if any man has forgotten the first instruction Kipling
gave, that the visitor to Japan should take with him at least one
beautiful pair of socks, there is considerable embarrassment for him.
You are led up a narrow stairway, each step of polished wood, and into a
big chamber covered with mats--the wall toward the interior made of
beautiful screens, the other wall opening on the outer air to a balcony.
At the other end of the room from the entrance a single beautiful vase
stands on a little platform, and in that vase is one single beautiful
flower. In front of that vase is the seat of honor, and the guests are
arranged in front of it seated on thin cushions on the floor.
Straightway little nesan--serving-girls--carry in little trays, a box
filled with ashes in which glow tiny bars of charcoal, a little
ash-receiver of bamboo, a bottle of _sake_, and dainty little bowls
without handles for drinking-cups. Now one by one the brilliant little
stars of the drama appear. A geisha girl glides in at the entrance,
another and another, and in a row sink to their knees and bow their
foreheads to the mat. Rising, they approach ten steps and kneel again.
Once more they approach shuffling along the floor in their socks of
spotless white (the big toe in a separate pocket) walking modestly
pigeon-toed that the flaps of their brilliant kimonos may part not at
all, and then they are bowing in front of the little trays where they
sit smiling and ready to serve you with food and drink.
There for the first time we saw Kamura--Kamura-san you must say, if you
would be polite. She was pretty, and dainty, and graceful, and her years
were only fourteen, which by our computation, would be thirteen only,
since the Japanese child is supposed to be a year old when born. She
spoke English very well, for she had lived in Shanghai once where she
had played with American children. She was an Eurasian--that is a
half-caste--but that was a secret which she told a few in confidence,
for you could not tell it from her face, and the fact would be no little
obstacle to the success of her career as a geisha girl. Straightway
little Kamura-san was the favorite of the dinner party, with the women
as well as with the men, and she acted as interpreter and said many
quaint, shrewd, unexpected things. The women petted and caressed her,
and the men doubtless would have liked to do the same, but that is not a
Japanese custom. She turned to one man of the party, and she spoke
slowly and with no shading of intonation whatever:
Public-domain text, read in full here on John Shaqi.
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