Following the Sun-Flag: A Vain Pursuit Through ManchuriaFox, John, Jr.
History
Following the Sun-Flag: A Vain Pursuit Through Manchuria
Fox, John, Jr.
Russo-Japanese War, 1904-1905
Between four and five o'clock these exiles take launches for a beach
five miles away, since the Japanese regulations now forbid bathing at
any nearer point. They carry out cakes and tea and other things to drink
and I took one trip with them through one beautifully radiant late
afternoon, but even in that way there was no evading the Japanese. Two
of them, whether fishermen, sailors, officers, or what not, calmly fixed
their boat-hooks to the launch and there they hung. The fact that the
ladies of the launch were undressing and dressing in one end did not
seem to disturb them at all, and to this day I am wondering what
possible harm a man or a woman in a bathing-dress among waves can do in
time of war in a place that is impregnable and five hundred miles from
the firing-line. I found the Japanese as different in Nagasaki as is
their speech. There they say "Nagasaki" with a hard g. In Tokio, where
the classics are supreme, they pronounce it "Nangasaki," almost--just as
the rickshaw men in the one place lose something of the samurai
haughtiness that characterizes them in the other. It is the difference
between the flat and the broad "a" in our own land, and between the
people who use the one and the people who use the other. Everybody left
next morning, but I clung to Nagasaki as long as I could, and in
consequence took an all-night ride on a wooden seat. Early next morning
I was crossing the Shimonoseki Straits from Moji in a sampan. It was
before sunrise. The mist on the sea was still asleep, but on the
mountains it was starting its upward flight. Through it fishing-boats
were slipping like ghosts, and here and there the dim shape of a
transport or a little torpedo-boat was visible. The flush in the East
was hardly as deep as a pale rose before I was noiselessly oared to the
stone quay of the little village whence we were to take transport at
last for the front. The foreign hotel was full. Richard Harding Davis
had gone to a Japanese hotel and had left word for me to follow. So in a
rickety rickshaw I rattled after him through the empty street. I found
him in a Japanese room as big as the dining-room of an American hotel,
covered with eighty mats, full of magic woodwork, and looking out where
there were no walls (the walls in a Japanese house are taken out by day)
for full fifty feet on mountain and sea and passing transports and
sampans. Davis was unpacking. Hanging over the balcony was a yellow moth
of a girl some fourteen years old, who smiled me welcome. On another
balcony at the other end of the hotel, three other sister moths were
lighted, and among them I saw a correspondent beating a typewriter
vigorously--they watching him with amazement and brushing him with their
wing-like sleeves as they hovered about. Others still were fluttering
fairy-like anywhere, everywhere. The latest occupant of our room had
been the Marquis Ito--we found it quite big enough for two of us. Li
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account