Gainah didn’t answer. She only opened the door leading to the stairs.
The two went up together. There was a high window halfway up, with a
lattice of thick oak bars.
“No glass,” said Pamela in astonishment.
“They didn’t use glass in the days when that was cut,” Gainah said,
“and the Jaynes are not people to go with new-fangled ways. Every Jayne
says that what was good enough for his father is good enough for him.
It’s a family not given to changing. You ought to know that; you belong
to it.”
“On the mother’s side--yes,” returned the girl in a half-hearted way.
Gainah opened the door of her own bedroom. It was poorly furnished with
her own furniture, which she had brought with her to Folly Corner.
There was a wooden bedstead, painted clay color and touched with lines
of apple-green. The washstand and drawers matched it. There was a strip
or so of shabby felt carpet, and on the shelf a pair of brass
candlesticks and a red china cow milked by a diminutive woman. The girl
looked about her disdainfully, assertiveness getting the better of
nervousness. She took off her hat and veil before the murky glass,
splashed water over her face, patted her hair caressingly, arranged
again the smart hat and veil. Gainah watched this pretty toying of
youth with grim disapproval; even the girl’s big arms lifted to her
head were an offense.
“Like a brass button in a sweep’s eye, all glitter,” the old woman
mumbled to herself, as the yellow and green bracelet swung on the round
wrist and the jet buckles flashed in the elaborate hat.
On the way downstairs she was afforded a peep into other bedrooms.
“I can’t let you have the best spare room,” she declared
autocratically. “This is it. It’s never used, except for layin’s out
and weddin’ nights, and layin’s in. All the Jaynes, right back to King
Charles, have been born in that bed--and died in it afterward.”
Pamela looked at the ponderous piece of furniture and shuddered.
“I wouldn’t sleep there for worlds,” she said.
Gainah, her claw-like hand caught stiffly round the banisters to
help her progress, went slowly down, stair by stair. Pamela, close
behind her, looked contemptuous--of everything: the old-fashioned
place, the odd old woman.
They crossed the room which the yew made so dark. Gainah opened the
door into the narrow corridor. Pamela followed. There was a window
looking out at the garden. On the ledge were blood-red geraniums, and
on the distempered walls queer prints in black frames.
She didn’t approve of those crinkled, brownish prints; they were hardly
decent.
Gainah flung open the door of the other room.
“Jethro,” she said in her high, grating voice, “here’s your Cousin
Pamela--on the mother’s side.”
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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