The house! Yes. The house was the same. It wasn’t a new house. She
penetrated through its modern coat, its gingerbread attempt at
gentility. The house was there. She could not see very well; the impish
mist tantalized her. But the hard, smooth line of roof told her that
the tiles were new. The yew was gone, the bristly, unclipt umbrella yew
which had watched Edred kiss pink Nancy: the yew which knew the night
of her secret vigil.
That night! The night when she had waited. The night when Boyce had
helped the poor cow with her calving; the night when Chalcraft had
thrown earth at his master’s window to rouse him, because it was
raining, and the ricks were not covered. That night!
She had crept like a criminal a dozen times down the brick-path, had
stood between the poplars, had looked along the road, had heard feet,
phantom feet, which came and died and finally departed. That night! The
poplars were gone, the yew, the raised path of worn bricks. They had
gone and taken that old story of dishonor with them.
A sinuous carriage drive of the brightest gravel wound away, beginning
where the entrance to the yard had been. The yard had been redeemed and
planted as a shrubbery; the new wall half hid the ample farm-buildings.
The shrubbery was very new--glossy laurels and firs set at regular
intervals, the ground between newly dug. She thought--and marveled at
herself for the preference--that she would rather have seen the
mother-pig there, as in the old days--with a pendulous stomach sweeping
the soiled ground, and a litter of pink, squeaking things about her.
The gates leading to the drive were newly hung. She pushed them back
fearfully and went toward the house, treading on the beautifully-cut
grass edge, because she was afraid of the crunch of her own feet in the
death-like silence and pallor of the early evening.
Firelight danced inside the house. As she drew nearer and yet nearer
she could see that there were two fires, one in the dining-room, one in
the drawing-room. The dining-room wouldn’t be dark now that the yew was
gone. That must be an improvement. Yet, at every step she made notes of
disapproval. It was so cold, so tame, so flat and unfeeling; these
mechanically set shrubs, that gleaming regular roof, those wide
windows. Yes! She was near enough to see. There were new windows, sash
windows, with little panes above and one large pane beneath. She had
once said impatiently to Jethro that lead lights cut up the view. He
had taken advantage of her ideas for the benefit of that girl. Of
course, there must be a girl. He would not have gone to all this
expense, except with a view to a wife.
Public-domain text, read in full here on John Shaqi.
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