She was near the house, so near that it seemed to throb out to her with
sympathy. She put out her hand and touched the spick, newly-painted
walls. With a quick feeling of resentment she saw that they had cut
down the Devoniensis rose--that globular, foam-like, ethereal thing
which she had worshiped more than any of the roses. She looked down,
round, up, making mental, resentful notes of everything. There were
pert pots on the wide-throated chimneys, grotesque and poor-looking.
There was a new window upstairs, high and narrow, filled with stained
glass. That must be the bath-room. Most of the upper rooms were dimly
lighted. She had often insisted that this was the proper thing to
do--in good houses. Jethro had resisted the innovation, with a view to
the oil involved.
Yes! She stopped, her head critically on one side, her heart becoming
more tolerant of the many changes. This looked a good house, a house
that a lady might live in: she was full of these commonplace
expressions that smack of the housekeeper’s room.
Lights in every window, jealously drawn blinds. It looked like a
house where they dined late, where, about this time, the maids were
tripping to the bedroom doors with cans of hot water. The house had all
the appearance of a good house--a gentleman’s, as distinct from a
yeoman’s, so she thought, beginning to be satisfied and then
remembering that it made no difference to her now. She went round the
house stealthily, like a gypsy woman with a basket of cheap lace. The
dog bounded out of the kennel, then wagged his tail when she went close
and he recognized her. She went round, went past the woodstack. As she
passed, a sandy rat, whose young family lived in the shelter of the
fagots, ran timidly over her foot.
She reached at last the back door. It stood open; she had always
grumbled at the maids, in vain, because they would have the back door
open. Everything around the door was much the same, the modern spirit
had not affected the back of the house. There was the pig-tub waiting
to be carried to the stye, there was the ash-heap, the other heap of
broken crockery and old iron. There were the rain-water tubs lurking in
the angles of the house, their green paint turning blue. She looked up
at the sky and found that the mist had risen, that the mellow moon was
full on her head.
She saw everything. Her eyes stretched away into the garden, through
the entrance-arch of which she saw the glittering glass of the
greenhouse which Jethro had bought to please her.
Public-domain text, read in full here on John Shaqi.
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