“Then we’ll say Monday. No, Tuesday--that will give us time to make a
cake. I must ask some more of your relations to meet you, dear. And,
Nancy, we must be careful with the cake; Maria’s are always so
excellent, and she is so critical. And now run out, dear, and tell
Evergreen I’ll come in a moment. I’m afraid he won’t like being kept in
the mist.”
On Tuesday Jethro, who was driving into Liddleshorn, dropped Pamela at
Turle. She stood and watched him out of sight, admiring the smartly
turned-out trap and his broad back in the light covert coat. Then she
went, with lagging feet, up the drive.
Turle was an old house which had been improved into an appearance of
juvenility. Mr. Turle bought it when he retired with a comfortable
fortune from the milling--a comfortable fortune, and a determination on
the part of his wife--to end his days as a gentleman. He spent so much
money that people forgot that he had been a miller. When he died his
widow was actually on the skirts of small gentrydom. She was a
diplomatic woman, and managed to steer fairly clear of family
connections who were still in superior family trade. She drove her
social four-in-hand skillfully, and kept several distinct sets in
perfect balance, smiling on them all with the same motherly, expansive
sweetness, yet never offending the aristocratic susceptibilities of
Mrs. Sugden, the Paper King’s wife, who called on her twice a year,
nor hurting the feelings of the Jeremy Crisp girls, whose father still
carried on the family grocer’s business in Liddleshorn.
Pamela liked Turle. The farm-buildings were hidden, the surrounding
meadows had been knocked into a miniature park and planted with trees.
They were young trees, but everything must have a beginning.
When she was announced she saw that the big drawing-room was full of
strange women. She looked hurriedly from one face to another, finding
family characteristics everywhere. Mrs. Turle kissed her.
“You don’t look quite up to the mark,” she said affectionately. “A
touch of bile?”
She was introduced to all of them; handed over from one to another,
like a bale of samples. They had been engrossed at her entrance over a
big box of fancy work. One of the Jeremy Crisp girls--who was only a
girl by courtesy--went into elderly raptures over a woolwork jacket,
which looked a capital fit for an organ-grinder’s monkey, and was
intended for a baby.
“The box comes round to us once a quarter,” Mrs. Turle explained. “It
goes round to all members. Every member works something, prices it,
puts it in the box, and sends it on to another member. If we see
anything we like we buy it.”
Pamela was beginning to find out that her new cousins and aunts were
tremendously busy women--over nothing at all; that they had a frenzy
for belonging to classes and societies; that they took themselves and
their efforts very seriously.
Public-domain text, read in full here on John Shaqi.
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