What sort of greeting was garnering for her beyond that door with the
wooden hood, the veil of white roses, and the rough iron knocker? She
looked at a Virginia creeper twisting among the roses. Autumn had
touched it. She looked at the red leaves, then at the white flowers.
They seemed flame and pale fire to strained eyes, short of sleep and
dazzled with the sun. The deep, haggard line curved round her mouth.
Within! What waited within?
* * * * *
Within was the second woman, old Gainah Toat. She sat in a low-pitched
room--the room on the right, made dark by the umbrella yew. There was a
great open hearth. There were three doors: one led into a dairy; it was
open, and showed the bricked floor, the yellow and brown pans, the
thick cream and made-up butter; the second door opened into the
passage; the third into the garden.
She sat by the third door, which was thrown well back. She could see
the orchard strewn with mussel plums, ripe to rottenness, with little
yellow stewing pears and apples specked with black. She did not seem
to see anything; she had those eyes--cold blue with a dash of
gray--that are always dull; eyes that evade and puzzle. They were very
wide open, the lids rolled well back, and the lashes sparse.
She had a white face; there was a general appearance of wasting about
her. The fingers, holding a letter--the other woman had been influenced
by a letter too--were twisted and disfigured with rheumatism. Her body
was flat and square; her faded gown made no pretense of slurring the
defect. It went straight from her stringy throat to her hardly
perceptible hips without a break, without a kindly fold or ruck of the
stuff.
She was an odd-looking figure; a spectral woman almost--with her
bloodless skin, her dead eyes, her twisted, transparent hands. But the
people around Folly Corner were not given to fanciful imaginings; they
only knew that Gainah seemed made of iron, that she worked on the farm
without tiring from sunrise until night. Her life was spent in making
things for other people to eat. She belonged to a dying type: she was
one of those women who devote themselves to tickling the masculine
palate. Machine-made food did not enter into her economy. Her mushroom
ketchup, her marmalade, her blackberry jelly were renowned. She gave
them to anyone who asked, not because she was generous, but because she
was inordinately proud of her productions. She toyed with medicine too;
made balm tea, and, from a particular sort of nettle, green ointment
that would cure a gathering. She made herb beer and water cider to
save beer at harvest-time. She knew the effect of foxglove on the human
heart, and made a concoction of a certain herb which she gathered
secretly. With it she claimed to cure palsy. She was mistress at Folly
Corner. She had come to old Jethro Jayne when his wife died. She had
brought up the present master by hand; she ruled him still.
Public-domain text, read in full here on John Shaqi.
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