Foot-prints of a letter carrier; or, a history of the world's correspondece — John Shaqi
Foot-prints of a letter carrier; or, a history of the world's correspondeceRees, James
History
Foot-prints of a letter carrier; or, a history of the world's correspondece
Rees, James
Postal service -- History; Postal service -- United States -- History
“Before we depart out of Egypt, we must not forget the plant _papyrus_,
but describe the nature thereof, considering that all civilitie of life,
the memoriall, and immortalitie also of men after death consisteth
especially in _paper_ which is made thereof. M. Varro writeth that the
first invention of making paper was devised upon the conquest of Ægypt,
achieved by Alexander the Great, at what time as he founded the city of
Alexandria in Ægypt, where such paper was first made.”—_Holland_,
_Plinie_, b. xiii. c. 21.
We have alluded to the barks of trees being used. The thin peel which is
found between the second skin of a tree was called _liber_,—from whence
the Latin word, _liber_, a book; and we have derived the name of library
and librarian in the European language, and in the French their _livre_
for book.
_THE PEN._
The instruments employed by the ancients for making the letters on their
tablets was a small, pointed piece of iron, or some other hard
substance, called by the Romans a _style_: hence a man’s manner of
composition was figuratively called his _style_ of writing. The use of
the word still continues, though the instrument has long since passed
away.
Style derives its name from _stylus_, Latin, as also from a Greek word,
_columna_, an instrument with a point.
Reeds formed into pens were used to trace the letters with ink of some
sort after the fashion that is now common; or else they were painted
with a small brush, as was probably the general custom at first. Pens
made of quills were not in use until the fifth century. The oldest
certain account of writing with quills is a passage of Isidore, who died
in 636, and who, among the instruments of writing, mentions “reeds and
feathers.” In the same century a small poem was written on a pen, which
is to be found in the works of Althelmus. He died in 709.
We annex the following as giving a poetical original of the pen:—
“Love begg’d and pray’d old Time to stay
While he and Psyche toyed together;
Love held his wings: Time tore away,
But in the scuffle dropp’d a feather.
Love seized the prize, and with his dart
Adroitly work’d to trim and shape it,
O Psyche, though ’tis pain to part,
This charm shall make us half escape it.
Time need not fear to fly too slow
When he this useful loss discovers,
A pen’s the only plume I know
That wings her pace for absent lovers.”
_PENCILS._
The ancients drew their lines with leaden styles; afterwards a mixture
of tin and lead fused together was used. The mineral known under the
name of plumbago is supposed to have been first employed for the purpose
of drawing in the fifteenth century. In 1565, an old author notes that
people had pencils for writing which consisted of a wooden handle, in
which was a piece of lead; and a drawing is given of the pencil as an
object of curiosity. They continued to be uncommon for upwards of a
century, when we hear them spoken of being enclosed in pine or cedar.
Public-domain text, read in full here on John Shaqi.
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