Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
Sometime afterward Southey took a small house at Westbury, a beautiful
village, where, in the society of his beloved wife, he resided about
twelve months, and spent some of his most satisfactory days. He then
produced more poetry than he ever did in the same space of time before
or after; and he enjoyed the particular intimacy of Sir Humphry Davy,
whose ardent genius was then making itself felt at Bristol. The rising
man of science took a deep interest in, and heard passages read from,
“Madoc,” as its composition was proceeded with by the aspiring and
painstaking author.
Southey was likewise employed, at this time, in preparing a volume
of minor poems, and a new edition of his “Letters from Spain and
Portugal,” to which he had paid a second visit; besides editing the
“Annual Anthology,” the first portion of which then appeared. His
literary occupations were so decidedly and undeniably to his taste,
and became so much “the life of his life,” that the idea of being
chained to the law, and harassed by the beckonings of conscience
in the direction of dry and dusty volumes, was gradually found to
be more irksome and intolerable. Thus his attention was wisely and
deliberately withdrawn from the concerns of a profession for which
he was not calculated, and wholly concentrated on literature. Indeed
the law is, of all others, a jealous mistress, and will accept of no
divided allegiance; and such a result as that at which the poet arrived
might easily have been foretold, in the case of one who commenced
the marvelous achievement of “eating terms,” with indulging in the
prospective pleasure of burning his law-books after he should, by their
aid, have amassed a magnificent fortune, and retired to enjoy it in
Christmas festivities among lakes and mountains.
Trusting now chiefly for support and distinction to his literary
effusions, Southey speedily became one of the most industrious
of living mortals. His devotion to his pursuits was intense and
unparalleled, and indeed so great, that he considered the correcting of
proof-sheets as a luxury of the highest kind. In fact, he seems to have
regarded literature as the most agreeable of worldly concerns, and the
fame arising from its successful cultivation as that kind of which a
wise man should be principally ambitious, because the most permanent.
This principle regulated his conduct and stimulated his exertions in
his chosen field. He guided himself by it with singular resolution; his
actions became extremely uniform; and the eccentric workings of his
youthful spirit having ceased, his life was as calm and cheerful as
could have been desired.
In 1801 Southey had the good fortune to obtain the appointment of
private secretary to the Irish Chancellor of the Exchequer, whom he
accompanied to Dublin; and in the same year published “Thalaba the
Destroyer,” an Arabian fiction of considerable power, beauty, and
magnificence. Soon after this, a pension was bestowed upon him by
Government.
Public-domain text, read in full here on John Shaqi.
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