Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
Southey now deemed it advisable to settle on the banks of the Greta,
near Keswick, and pursued his avocations with keen and constant
diligence. He wrote perpetually. Each day, and each hour of the day,
had their appropriate tasks. He secluded himself much from society,
but found consolation in the company of his pretty numerous household,
and the well-stocked library which it was his fortune to collect and
possess. He now sent into the world, from his agreeable retreat, a
volume of “Metrical Tales,” and “Madoc.” After them appeared “The Curse
of Kehama,” considered as the most meritorious of his poetic works,
but founded on the Hindoo mythology, and therefore not peculiarly
interesting to general readers. Some years later he published
“Roderick, the last of the Goths,” a noble and pathetic poem.
In the mean time, Southey had not disdained the less pretending
species of composition. His “Life of Nelson” is considered the best
of his admirable prose works. When published, in 1813, it instantly
rose into popular favor, and was recognized by the public as a
standard biography. It was originally issued in two small volumes,
since compressed into one. He subsequently contributed to “Lardner’s
Cyclopædia” a series of lives of British admirals. Besides, he again
testified his biographic skill by a “Life of Wesley,” the celebrated
founder of Methodism. He evinced therein a minute acquaintance with
the religious controversies of the day, and presented curious and
interesting sketches of field-preachers and their performances. There
were successively other works, less generally admired, relating to
history, politics, morals, and philosophy. His numerous writings are
characterized by an easy and flowing style, yet they did not secure him
much real popularity; but this must, in a great measure, be attributed
to the nature of the subjects. His prose was described as perfect by
Lord Byron, who styled him “the only existing entire man of letters.”
Southey had, long ere this, relinquished the opinions which prompted
him to produce “Wat Tyler;” and when the “Quarterly Review” was
established in 1809, he became connected with the enterprise which was
then entered upon, and furnished several of the prominent articles to
that distinguished periodical in the earlier stage of its career.
Though not enjoying that measure of popular favor to which, as an
author of merit and a man of worth and prudence, he was justly
entitled, Southey ranked high among the writers of his day; and he was
fully appreciated by those most capable of judging critically.
Public-domain text, read in full here on John Shaqi.
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