Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
Almost in the earliest stage of his existence the prophetic eye of
Mrs. Moore discerned signs of her little Tom being a marvelous child,
and he was nursed and reared with a view to his attaining due and
enviable eminence ere his sun set. The happy days of the boy have,
perhaps, too often no certain existence save in the imagination of the
same being when grown into a man, and looking on past scenes with that
enchantment which distance lends to the view. Gibbon remarks, that
while the poet gaily describes the short hours of juvenile recreation
he forgets the tedious daily labors of the school, which is approached
each morning with anxious and reluctant step. He declares that he
never knew the boasted happiness of boyhood, against the existence of
which, as a general luxury, he therefore enters a feeling protest;
but in this respect the experience of the fanciful Irish poet was
quite the opposite of that confessed to by the skeptical historian
of the Roman Empire. Moore was sent, with all convenient haste, to a
day-school, kept by a person who “quaffed his noggin of poteen” with
much less than proper consideration for his tutorial avocations. He was
afterward placed under Mr. Samuel White, who had been the preceptor of
Sheridan, and proved his want of prophetic skill by pronouncing the
future wit and orator an incorrigible dunce. At this seminary Moore
displayed a remarkable taste for music, poetry and recitation. This
was much strengthened by the master of the school, who encouraged a
habit of acting which was not in any degree relished by the majority
of his pupils. However, Moore speedily became a favorite “show
scholar,” and in that capacity had the gratification of seeing his
name in print at the age of ten, as one of the juvenile performers
who were to contribute to an evening’s entertainment at the private
theatre of a lady of rank. He began forthwith to compose in numbers,
and became more and more the delight of his mother’s eye. She watched
with tender anxiety and sanguine hope his extraordinary ascent, step
by step, of the social ladder; and he repaid her solicitude by a
filial devotion which no poetic triumphs were ever in subsequent life
allowed to interfere with. Being extremely ambitious in regard to his
worldly prospects, she early, despite the disabilities then attaching
to those of her religious faith, destined him for the bar, and afforded
him every opportunity of cultivating his mind and extending his
knowledge which her means and position permitted. He soon gave cheering
indications of being not unworthy of such anxious care, and was
highly applauded by his teacher, who, while doing so, did not neglect
so opportune an occasion of saying a good word for himself; and he
signalized his precocious powers at the age of fourteen by contributing
verses to the pages of a Dublin Magazine. “Master Moore” was already a
sort of celebrity on the banks of the Liffey.
Public-domain text, read in full here on John Shaqi.
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