Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
The friends and relatives among whom the melodist was brought up were,
without exception, ardent in their Irish patriotism; and in 1792 he
was carried by his father to one of the demonstrative gatherings held
in welcome of the French Revolution, and was perched on the chairman’s
knee. The excitement of the festive scene, and the hallucination of
those who took part in it, may be judged from such toasts as that
recorded by him as having been enthusiastically sent round: “May the
breezes from France fan our Irish oak into verdure.” Surely, Donnybrook
Fair must ever afterward have seemed tame to those who were present at
such assemblies.
The young poet espoused these principles with warmth and sympathy;
and having been entered at Trinity College in 1795, supported his
opinions with a lively eloquence, which, as matters stood, might have
caused danger. He passed through the academic course with much credit,
was distinguished for his classical acquirements, took part in the
debates of the Historical Society, and was much admired for the wit
and playfulness he exhibited among his associates. Having brought his
collegiate studies to a termination, taken the degree of bachelor of
arts, and won the character of a most pleasant companion, he proceeded
to London in 1799, and had the happiness of being enrolled as a student
of law at the Middle Temple.
Meantime he had been prompt to seize every means of improvement, and
his innate talent for music had been cultivated with assiduity and
effect; he had gained no inconsiderable amount of classical learning;
and he had acquired some knowledge of the French and Italian languages.
In the middle of the year following his arrival in England, the
translation of Anacreon’s Odes, with which he had been engaged for some
time, was published by subscription. This work had been contemplated
by the eager and aspiring boy even in his school days, and it now
appeared, with a dedication to the Prince of Wales, to whom the poet
had already been presented. Its reception was most flattering; public
favor was bestowed in abundance, and it elicited this complimentary
impromptu――
“Ah, mourn not for Anacreon dead!
Ah, mourn not for Anacreon fled!
The lyre still breathes he touched before,
For we have one Anacreon Moore!”
The rhyming adventurer from the “Green Isle”――small in form but
sprightly in mind――was introduced to fashionable circles, excited the
curiosity and interest of royal personages, and charmed patrician
assemblies with his vocal powers. He had, moreover, the distinction
of dining twice at Carlton House with the Prince of Wales, and of
being admitted to a grand _fête_ given by his royal highness on
becoming regent. At a subsequent period he was one of the same exalted
individual’s keenest assailants and sharpest satirists.
Public-domain text, read in full here on John Shaqi.
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