Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
Reynolds was an ardent lover of his profession; his pride in art was
high, and he was ever ready, when there was occasion, to stand forward
in its defense. But his character was cold and stately; he deemed it
impossible for two artists in the same line to associate in friendship:
he thought Poetry the twin-sister of Painting, and found his companions
chiefly among literary men. It was natural, therefore, that when the
Literary Club was established in 1764, he should have been one of its
members. A man, however, is known by the company he keeps; and Reynolds
was disagreeably surprised to hear himself spoken of as “one of the
wits.” Perhaps the term did not convey the most pleasing sensation
to a person with a coach of his own and six thousand a year; and he
exclaimed, in alarm, “Why do they call me a wit? I never was a wit in
my life!”
His commissions had gradually become so numerous, that he found it
necessary to have several assistants to work out the minor details: he
had arrived on an enviable eminence; and though artists of ability made
their appearance, he still maintained his supremacy, and constantly
struck out wonders to vindicate his claim to the favor of the public.
In 1766 he painted the Queen of Denmark, before she sailed on her
ill-fated voyage. Coming events cast their shadows before; and he never
went without finding the hapless princess in tears. Reynolds increased
in wealth and reputation; his enthusiasm for art never cooled into
indifference, and he was never so happy as when putting life into
canvas. He rose betimes, and commenced operations; he spoke little when
occupied, but painted rapidly for six hours, and devoted the remainder
to society. He was animated by warm affections, and had a strong love
for children.
Reynolds was not one of the originators of the Royal Academy; but in
1768, when it was instituted, he was waited on by West, and requested
to give his aid in promoting the objects which the undertaking was
intended to serve. He was rather doubtful whether the scheme was likely
to be favored by Fortune; and he was one of those who had no relish for
engaging in an enterprise,
“Save when her humorous ladyship was by
To teach him safety.”
Public-domain text, read in full here on John Shaqi.
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