Footprints of Famous Men: Designed as Incitements to Intellectual IndustryEdgar, John G. (John George)
General
Footprints of Famous Men: Designed as Incitements to Intellectual Industry
Edgar, John G. (John George)
Biography; Biography -- Juvenile literature
It was, therefore, after considerable hesitation, and a conference
of two hours, that he was persuaded to accompany the American artist.
Then ordering his carriage, he drove to the place where the promoters
were assembled. On entering the room he was saluted by all present as
“President;” but being still convinced that the scheme would prove
a delusion, he declined to accept the honor thus voted to him by
acclamation, till he had consulted Burke and Johnson, who advised
him to consent. The king, whose aid had at first been regarded as
doubtful, came forward to offer the Academy his royal patronage; and
that it might have the semblance of greater dignity, its president was
forthwith invested with the rank of knighthood. The latter was, by no
means, backward in fulfilling the functions with which he had been so
cautious in burdening himself. Of his own accord he undertook the duty
of preparing and reading discourses on the principles and practice of
art, for the instruction and guidance of the students. Of these he
wrote fifteen; the delivery of which extended over several years. They
were pronounced by Sir Thomas Lawrence to be “golden precepts, which
are now acknowledged as canons of universal taste.”
In 1773 Reynolds paid visits to Paris and Oxford. At the latter place
he received, amidst much applause, the honorary degree of Doctor of
Laws, in company with Dr. Beattie, of whom he produced a celebrated
picture on returning to London. About the same date he went to his
native district, and was elected mayor of Plympton. This mark of
esteem from his townsmen seems to have given him particular pleasure.
Accidentally meeting with the king shortly after, at Hampton Court, he
stated that it had afforded him more satisfaction than any distinction
he had met with: “Always,” he added, with the skill of a courtier,
“excepting that which your majesty graciously conferred on me――the
honor of knighthood.”
Sir Joshua was chosen a member of the Academy of Florence, and, in
accordance with its rules, required to furnish a portrait of himself.
This he accomplished with his wonted success; and it was added with
pride to their interesting collection.
Public-domain text, read in full here on John Shaqi.
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