They were coming out of the Lyceum. The crowd streamed forth, slowly
shuffling, pushing impatiently now and then, shoulder to shoulder. And
in the crush, close to her, Eva saw the flaming red plush opera-cloak of
a tall, stout woman, and under a babyish "Cherry-ripe" hat a face, rose,
white and black, with a doll-like smile, which suddenly leaned across
her to address Frank. The brim of the hat rested on a mass of yellow
curls, a scent of musk and rice-powder greeted her nostrils, and, like a
blow in her own face, she heard the words:
"Hallo! good evening, Frank; how are you, old boy?"
She started and shrank back, looking hastily first at the rouged face
and then at Frank; she saw his flashing look of rage, nor did the tall
woman's confusion escape her notice--a damsel of the
skating-rink--though the stranger drew back at seeing a lady on Frank's
arm; she had evidently at first seen him over Eva's head in the crowd,
and she now vanished, disconcerted by her own blunder in addressing a
man who had a lady with him.
But she shot a glance of amazed inquiry at Van Maeren who was close
behind. Bertie might have warned her; for it was Bertie who had
whispered three words under the "Cherry-ripe" hat, with a nod towards
the front, saying: "There goes Frank."
She was vexed with herself; but she really had not seen the young lady.
When they reached home, Sir Archibald, who had observed nothing, was
bidding them good-night at the door, but Frank exclaimed: "I beg your
pardon--but I must speak to Eva--I beg of you--"
It was already late, but Sir Archibald was no stickler for etiquette.
They were alone, looking at each other with anxious eyes, but neither
spoke. Frank began hurriedly, stumbling over his words as if he were
eager to forestall any evil suspicion she might entertain.
"Eva, believe me, Eva; you must believe me; it was nothing. You must not
think anything of--of what happened just now."
In a few brief words he told of a former acquaintance--a young man's
acquaintance--of the skating rink. This was all at an end, it was a
thing of the past; she must know that every man had a past. She knew
that--surely?
"A past," she echoed coldly. "Oh! every man has a past? But we--we have
no past."
"Eva, Eva!" he cried, for through the irony of her tone there pierced
such acute pain that he stood dismayed and helpless, not knowing how to
comfort her.
"Tell me only this much," she went on, going close up to him and looking
into his face with that strange stare. She laid her hands on his
shoulders and tried to read his inmost soul through his eyes. And she
slowly said, expecting to hear her own doom in the first word he should
utter:
"It is at an end?"
Public-domain text, read in full here on John Shaqi.
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