French fiction -- Translations into English; Man-woman relationships -- Fiction
FOR A
NIGHT OF LOVE
By
EMILE ZOLA
THE WARREN PRESS
New York
Copyright 1911, by
The Warren Press
FOR A NIGHT OF LOVE
I
The little town of P.... is built on a hill. At the foot of the old
ramparts runs a deep brook, the Chanteclair, doubtless so named from the
crystalline sound of its limpid waters. When one arrives by the
Versailles road, one crosses the Chanteclair at the south gate of the
city, over a stone bridge with a single arch, of which the broad
parapets, low and rounded, serve as benches for all the old people of
the suburbs. Opposite, rises Beau-Soleil Street, at the end of which is
a silent square, Quatre-Femmes, paved with huge cobbles and invaded by a
thickset weed which makes it green as a meadow. The houses sleep. Every
half hour, the dragging step of a passer-by starts a dog barking behind
a stable-door, and the one excitement in the square is the regular
appearance, twice a day, of officers who go to their table d'hôte in
Beau-Soleil Street.
In the house of a gardener, to the left, lived Julien Michon. The
gardener had rented him a large room, on the first floor; and, as the
landlord occupied the other side of the house, facing his garden, Julien
was left to himself. Having his own private entrance and stairway, he
already lived, although only twenty-five years of age, like a retired
bourgeois of small means.
The young man had lost his father and his mother while very young. An
uncle had sent the child to a boarding-school. Then, the uncle died, and
Julien had been filling a position as clerk in the post-office for the
past five years. His salary was fifteen hundred francs, without any hope
of ever getting more. But he could economize on that, and he did not
imagine a larger or a happier life than his.
Tall, strong, bony, Julien had large hands that seemed in his way.
He felt himself to be ugly, with his square head left in a sketchy state
as if roughly modeled by an indifferent sculptor. And that made him
timid, especially in the presence of young women. His awkwardness
engendered a startled attitude of mind, and a morbid desire for
mediocrity and seclusion. He seemed resigned to grow old thus, without a
comrade, without a love affair, with his tastes of a cloistered monk.
And that life did not weigh heavily upon his broad shoulders. Julien was
very happy. He had a calm, transparent soul. His daily existence, with
its fixed rules, was serenity itself. In the morning, he went to his
office, peacefully took up the work left off the preceding day; then
lunched on a small loaf, and continued his work. Afterwards, he dined,
he went to bed and slept. The next day, the sun brought with it the same
routine.
On holidays, he would go off on a tramp all alone, happily reeling off
the miles, and returning broken with fatigue.
Public-domain text, read in full here on John Shaqi.
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