Without the growth of the individual, music cannot grow; without freedom of thought, neither the language of tones nor that of words can gain full, free utterance. Freedom is essential to the life of the indwelling spirit. Wherever the flow of thought and fancy is impeded, or the energies of the individual held in check, there music is cramped. In China, where conditions have crushed spiritual and intellectual liberty, the art remains to this day in a crude rhythmical or percussion state, although it was early honored as the gift of superior beings. The Chinese philosopher detected a grand world music in the harmonious order of the heavens and the earth, and wrote voluminous works on musical theory. When it came to putting this into practice tones were combined in a pedantic fashion. In all ages and climes music has ministered to religion and education. The sacred Vedas bear testimony to the high place it held in Hindu worship and life. Proud records of stone reveal its dignified role in the civilization of Egypt, where Plato stated there had existed ten thousand years before his day music that could only have emanated from gods or godlike men. The art was taught by the temple priests, and the education of no young person was complete without a knowledge of it. Egyptian musical culture impressed itself on the Greeks, and also on the Israelites, whose tone-language gained warmth and coloring from various Oriental sources. Hebrew scriptures abound in tributes to the worth of music which was intimately related to the political life, mental consciousness and national sentiment of the Children of Israel. Through music they approached the unseen King of kings with the plaintive outpourings of their grief-laden hearts and with their joyful hymns of praise and thanksgiving. From the polished Greeks we gained a basis for the scientific laws governing our musical art. The splendid music of which we read in ancient writings has for the most part vanished with the lives it enriched. Relegated to the guardianship of exclusive classes its most sacred secrets were kept from the people, and it could not possibly have attained the expansion we know. Music has been called the handmaiden of Christianity, but may more appropriately be designated its loyal helpmeet. Whatever synagogue or other melodies may have first served to voice the sentiments kindled by the Gospel of Glad Tidings it was inevitable that the new religious thought should seek and find new musical expression.