These blunders begin with the preliminary course on the piano or violin, for instance, when a child, having no previous training in the rudiments of music, starts with one weekly lesson, and is required to practice a prescribed period daily without supervision. To the difficulties of an introduction to a musical instrument are added those of learning to read notes, to locate them, to appreciate time values and much else. The teacher, it may be, knows little of the inner life of music, still less of child nature. Manifold perplexities arise, and faltering through these the pupil acquires a halting use of the musical vocabulary, with other bad habits equally hard to correct. A constant repetition of false notes, wrong phrasing, irregular accents, faulty rhythms and a meaningless jumble of notes dulls the outer ear and deadens the inner tone-sense. Where there is genius, or decided talent, no obstacle can wholly bar the way to music. Otherwise, it retreats before the blundering approach. Many a mother when advised to direct her child's practicing, or at least to encourage it by her presence, has excused herself on the plea that it would bore her to listen. If the work bores the mother it is not surprising that the child attacks it with mind fixed on metal more attractive and eyes seeking the clock. Occupations which are repellent in early life leave behind them a memory calculated to render them forever distasteful. It is therefore a grave mistake not to make music study from the outset throb with vital interest. An appeal to the intellect will quicken the aesthetic instincts, be they never so slender, and almost any one will love work that engages all the faculties. Those pupils are fortunate who come under the influence of a teacher with strong, well-balanced personality and ripe knowledge, and are treated as rational beings, capable of feeling, thinking and acting. Too many music teachers learn their business by experimenting on beginners. It has been suggested as a safeguard against their blunders, and all ignorance, carelessness and imposture, that music might be placed under the same legal protection accorded other important factors in social life, and that no one be permitted to teach it without a license granted by a competent board of judges after the applicant had passed a successful examination, theoretical and practical. This would be well if there was any certainty of choosing suitable persons to select the judges.