Great Britain -- History -- Stuarts, 1603-1714 -- Fiction
I needs must tell of Mr. Boscorel, because he was a man the like
of whom I have never since beheld. I believe there can be few men
such as he was, who could so readily exchange the world of heat and
argument for the calm and dispassionate air of art and music. Even
religion (if I may venture to say so) seemed of less importance to
him than painting and sculpture. I have said that he taught me to
play upon the spinnet. Now that Humphrey was gone, he desired my
company every day, in order, he pretended, that I might grow perfect
in my performance, but in reality because he was lonely at the
Rectory, and found pleasure in my company. We played together--he
upon the violoncello and I upon the spinnet--such music as he chose.
It was sometimes grave and solemn music, such as Lulli's 'Miserere'
or his 'De Profundis'; sometimes it was some part of a Roman
Catholic Mass: then was my soul uplifted and wafted heavenwards by
the chords, which seemed prayer and praise fit for the angels to
harp before the throne. Sometimes it was music which spoke of human
passions, when I would be, in like manner, carried out of myself. My
master would watch not only my execution, commenting or correcting,
but he would also watch the effect of the music upon my mind.
'We are ourselves,' he said, 'like unto the instruments upon which
we play. For as one kind of instrument, as the drum, produces but
one note; and another, as the cymbals, but a clashing which is in
itself discordant, but made effective in a band; so others are, like
the most delicate and sensitive violins--those of Cremona--capable
of producing the finest music that the soul of man hath ever
devised. It is by such music, child, that some of us mount unto
heaven. As for me, indeed, I daily feel more and more that music
leadeth the soul upward, and that, as regards the disputations on
the Word of God, the letter indeed killeth, but the spirit which
music helpeth us to feel--the spirit, I say, giveth life.' He
sighed, and drew his bow gently across the first string of his
violoncello. ''Tis a time of angry argument. The Word of God is
thrown from one to the other as a pebble is shot from a sling. It
wearies me. In this room, among these books of music, my soul finds
rest, and the spiritual part of me is lifted heavenwards. Humphrey
and you, my dear, alone can comprehend this saying. Thou hast a mind
like his, to feel and understand what music means. Listen!' Here he
executed a piece of music at which the tears rose to my eyes. 'That
is from the Romish Mass which we are taught ignorantly to despise.
My child, I am, indeed, no Catholic, and I hold that ours is the
purer Church; yet, in losing the Mass, we have lost the great music
with which the Catholics sustain their souls. Some of our anthems,
truly, are good; but what is a single anthem, finished in ten
minutes, compared with a grand Mass which lasts three hours?'
[Illustration: '_We played together, he on the violoncello, I upon
the spinnet._']
Public-domain text, read in full here on John Shaqi.
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