For love and life; vol. 1 of 2Oliphant, Mrs. (Margaret)
General
For love and life; vol. 1 of 2
Oliphant, Mrs. (Margaret)
Fiction
It would have been unnecessary to dwell on this particular, had not the
appearance of the young man upon whose arm the invalid leant, been so
different. As distinctly as they were native to the place, and to the
position, was he stranger to them. He was not so handsome by nature as
they, but he had about him all those signs of a man “in good society”
which it is impossible to define in words, or to mistake in fact. His
dress was extremely simple, but it was unmistakeably that of a
gentleman. Not the slightest atom of pretension was in his aspect or
manner, but his very simplicity was his distinction. The deferential way
in which he bent his head to hear what his companion was saying, the
respect he showed to them both, was more than a son or brother in their
own rank would ever have dreamed of showing. He was kind in all his
words and looks, even tender; but the ease of familiarity was wanting to
him; he was in a sphere different from his own. He showed this only by a
respect infinitely more humble and anxious than any farmer-youth or
homely young squire would have felt; yet to his own fastidious taste it
was apparent that he did show it; and the thought made him condemn
himself. His presence introduced confusion and difficulty into the
tranquil picture; though there was nothing of the agitation of a lover
in his aspect. Love makes all things easy; it is agitating, but it is
tranquillizing. Had he been the lover of the beautiful young creature by
his side, he would have been set at his ease with her old mother, and
with the conditions of her lot. Love is itself so novel, so
revolutionary, such a break-down of all boundaries, that it accepts with
a certain zest the differences of condition; and all the embarrassments
of social difference such as trouble the acquaintance, and drive the
married man wild, become in the intermediate stage of courtship
delightful auxiliaries, which he embraces with all his heart. But Edgar
Earnshaw was not pretty Jeanie Murray’s lover. He had a dutiful
affection for both of the women. Mingled with this was a certain
reverential respect, mingled with a curious painful sense of wrong, for
the elder; and a pitying and protecting anxiety about the girl. But
these sentiments were not love. Therefore he was kind, tender,
respectful, almost devoted, but not at his ease, never one with them;
in heart as in appearance, there was a difference such as could not be
put into words.
* * * * *
Public-domain text, read in full here on John Shaqi.
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