For Love of the King: A Burmese Masque — John Shaqi
For Love of the King: A Burmese MasqueWilde, Oscar
General
For Love of the King: A Burmese Masque
Wilde, Oscar
English drama -- 19th century
Transcribed from the [1922] Methuen and Co./Jarrold and Sons edition by
David Price, email ccx074@pglaf.org
FOR
LOVE OF THE KING
A BURMESE MASQUE
BY
OSCAR WILDE
METHUEN & CO. LTD.
36 ESSEX STREET W.C.
LONDON
_First Published by Methuen & Co. Ltd. in 1922_
_This Edition on handmade paper is limited to 1000 copies_
INTRODUCTORY NOTE
The very interesting and richly coloured masque or pantomimic play which
is here printed in book form for the first time, was invented sometime in
1894 or possibly a little earlier. It was written, not for publication,
but as a personal gift to the author's friend and friend of his family,
Mrs. Chan Toon, and was sent to her with the letter that follows and
explains its origin.
Mrs. Chan Toon, before her marriage to Mr. Chan Toon, a Burmese
gentleman, nephew of the King of Burma and a barrister of the Middle
Temple, was Miss Mabel Cosgrove, the daughter of Mr. Ernest Cosgrove of
Lancaster Gate, a friend of Sir William and Lady Wilde, and herself
brought up with Oscar and his brother Willie.
For a long while Mrs. Chan Toon, who after her husband's death became
Mrs. Woodhouse-Pearse, refused to permit the masque to be printed. The
late Robert Ross much wanted to include it in an edition of Wilde's
works, of which it now forms a part, but he could not obtain its owner's
consent. An arrangement, however, having been completed, the play is now
made public.
TITE STREET, CHELSEA,
_November_ 27, 1894
_My dear Mrs. Chan Toon_,
_I am greatly repentant being so long in acknowledging receipt of_
"_Told on the Pagoda_." _I enjoyed reading the stories_, _and much
admired their quaint and delicate charm_. _Burmah calls to me_.
_Under another cover I am sending you a fairy play entitled_ "_For
Love of the King_," _just for your own amusement_. _It is the outcome
of long and luminous talks with your distinguished husband in the
Temple and on the river_, _in the days when I was meditating writing a
novel as beautiful and as intricate as a Persian praying-rug_. _I
hope that I have caught the atmosphere_.
_I should like to see it acted in your Garden House on some night when
the sky is a sheet of violet and the stars like women's eyes_. _Alas_,
_it is not likely_.
_I am in the throes of a new comedy_. _I met a perfectly wonderful
person the other day who unconsciously has irradiated my present with
sinuous suggestion_: _a Swedish Baron_, _French in manner_, _Athenian
in mind_, _and Oriental in morals_. _His society is a series of
revelations_. . . .
_I was at Oakley Street on Thursday_; _my mother tells me she sends
you a letter nearly every week_.
_Constance desires to be warmly remembered_, _while I_, _who am
bathing my brow in the perfume of water-lilies_, _lay myself at the
feet of you and yours_.
_OSCAR WILDE_
PRINCIPAL CHARACTERS OF THE PLAY
Public-domain text, read in full here on John Shaqi.
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