For Love of the King: A Burmese MasqueWilde, Oscar
General
For Love of the King: A Burmese Masque
Wilde, Oscar
English drama -- 19th century
_The Crowd break up into groups_. U. RAI GYAN THOO _and_ MOUNG PHO MHIN
_converse on the tendency of the King to interference in affairs of
State_; _his extreme youth and delicacy of temperament_; _the pity that
the marriage is to be so long delayed_; _the necessity to find him some
distraction in the meantime_.
_Suddenly the tom-toms sound loudly_. _There is much movement_. _The
moon rises over the sea_. _Torches flare as the attendants move to and
fro in the gardens beyond_.
_The White Elephant of the King_, _with its trappings of gold_, _is led
to the entrance where_, _at a word_, _it sinks obediently to the ground_.
THE KING _appears_. _He has changed his gay apple-green dress to one of
more sombre hue_. _He enters the howdah_--_the elephant rises_--_the
procession starts_. _It consists of not fewer than two hundred persons_,
_keeping in view of the audience until lost by a bend in the avenue_.
SCENE II
THE PAGODA OF GOLDEN FLOWERS
Midnight
_Surrounded by Peepul-trees_, _the great Htee_, {6} _with its crown of a
myriad jewels_, _rises towards the violet_, _star-studded sky_, _its
golden bells tinkling in a soft night-wind_.
_When the curtain rises_, _the circular platform is deserted_. _Statues
of Buddha seated and recumbent fill the numberless niches in the wall_,
_and before each burn long candles_; _heaped-up pink roses and japonica
on brass trays are lit from above by swinging coloured lamps_. _At
intervals are stalls laden with fruit and cheroots_. _All is
mysterious_, _solemn_, _beautiful_.
_A deep Burmese gong tolls_. _People emerge from the four staircases
that lead up to the platform_. _Men_, _women_, _and children_, _all in
gala attire_. _The young people conversing_, _gesticulating_, _smiling_.
_The older people_, _more subdued_, _carry beads and votive offering to
Buddha_. _Charming Burmese girls_, _with huge cigars_, _meet and greet
handsome Burmese men smoking cheroots and wearing flowers in their ears_.
_Children play silently with coloured balls_. _In the corners_, _under
canopies_, _are seated fortune-tellers_, _busy casting horoscopes_. _It
is a veritable riot of colour_, _with never a discordant note_.
Public-domain text, read in full here on John Shaqi.
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