For whose sake?: A sequel to "Why did he wed her?"Southworth, Emma Dorothy Eliza Nevitte
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For whose sake?: A sequel to "Why did he wed her?"
Southworth, Emma Dorothy Eliza Nevitte
Bigamy -- Fiction; England -- Fiction; Impostors and imposture -- Fiction
“I beg your pardon, sir; but indeed I was so taken by surprise!” said
Palma, apologetically, and with a pretty blush.
“Not at all!” exclaimed the stranger, rather irrelevantly. “Say no more
about it; but tell me something of my son and my daughter. You said
nothing about my son, yet I have been told that they are both equally
and intimately well known to you and to your excellent husband. What are
these young people like, madam, if you please?”
“Mike and Judy? They are both lovely! Just lovely!” warmly responded
Palma.
“That is exceedingly complimentary, and would be highly satisfactory,
only it is not quite exact enough. A rose is lovely, so is a pearl, so
is a fawn, so is a baby.”
“Oh, yes!” exclaimed the young mother.
“So many things are lovely, you see, that to say they are lovely gives
me no clear idea of them. Be more precise, dear lady.”
“Oh, then, they are so good, so sweet—but I think I had better show you
their photographs,” said Palma, with sudden inspiration.
“The very thing!” exclaimed the visitor.
Palma sprang up and ran like an eager child to the other end of the
drawing-room and to an _etagere_ that stood in the corner, and took from
it a large-paged but thin photograph album, with which she returned to
her visitor.
“This book,” she said, “contains only the pictures of our dearest
friends. There are not more than thirty-three pictures in the
collection; but then there are in some cases several of each person. I
will show you Mike’s and Judy’s.”
“No!” exclaimed the visitor. “Pray let me have the book and see if I can
find them for myself. I have never seen them. You are naturally amazed
to hear me say that, but you shall know the reason of the fact in good
time,” said The O’Melaghlin, as he received the book from Palma, who,
having placed it in his hands, resumed her seat, watched him as he
turned over the leaves, and speculated with much interest whether he
would be able to identify the pictures of his son and daughter, whom he
had never seen.
Presently his face lighted up.
“Here they are!” he exclaimed, pointing to the open pages that presented
full-length cabinet photographs of Mike and Judy—the former being on the
left-hand page and the latter on the right.
“Yes, you are right,” replied Palma in surprise; “but how could you
tell?”
“Because this,” he replied, laying his finger on Judy’s picture, “is a
perfect likeness of my dear lost Moira; and this,” he added, indicating
Mike’s, “is as like her as a youth can be like his mother.”
“They are faithful likenesses of the twin brother and sister,” replied
Palma.
“Now tell me, my dear young lady, about my boy and girl.”
“Your daughter, I have said, is sweet and good and very dear to us all
who know her. To say that she is married to one of the wealthiest land
owners of one of the oldest families in Yorkshire would be true, but it
would not be so much as to say that her husband is one of the best, the
truest, the most generous and most magnanimous of men.”
Public-domain text, read in full here on John Shaqi.
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