The Legend, however, does not end with the death of the Bull. In the chapel at Heddernheim, the great slab on which the Tauroctony is sculptured in bas-relief is pivoted so as to swing round and display on its other face another scene which we find repeated in a slightly different form on many monuments[875]. Mithras and the Sun-God are here shown as partaking of a ritual feast or banquet in which grapes seem to figure. At Heddernheim, the grapes are tendered to the two gods over the body of the dead bull by the two torch-bearing figures Cautes and Cautopates, while on an arch above them various quadrupeds, dogs, a boar, a sheep, and a cow, are seen springing into life. In other monuments, the same scene generally appears as a banquet at which Mithras and Helios are seated side by side at a table sometimes alone, but at others in company with different persons who can hardly be any other than initiates or worshippers[876]. That this represents some sort of sacrament where a drink giving immortality was administered seems probable, and its likeness to representations of the Last Supper is sufficient to explain the complaint of Justin Martyr and other Fathers that the devil had set on the Mithraists to imitate in this and other respects the Church of Christ[877]. The final scene of all comes when we see Mithras arresting the glorious chariot of the Sun-God drawn by four white horses, and, mounting therein, being driven off by the ray-crowned Helios himself to the abode of light above the firmament[878]. In this also, it is easy to see a likeness between representations of the Ascension of Mithras and that of Elijah or even of Christ[879].