THIS is, perhaps, one of the most difficult chapters to write, for to
such a pitch of perfection have the forgers brought their reproductions,
that it is now extremely difficult for even well-known Egyptologists to
give a definite statement concerning the genuineness or otherwise of a
specimen submitted to them.
Some years ago the authorities at the Museum in Cairo would give their
decision regarding antiquities shown to them by visitors, but now that
is all changed, and they refuse to express an opinion. The Egyptians,
however, still loudly protest that they are willing to have their
scarabs submitted to the Museum authorities, knowing perfectly well that
the experts there will give no opinion at all; but they hope that by so
frankly and freely making this offer, the collector will take it for
granted that the specimen is genuine, otherwise they would not be
willing to take the risk of submitting it to such authorities.
From time to time the vendors make a _coup_, which, as there is a
certain freemasonry amongst them, becomes known, and stimulates others
to renewed efforts.
The novice in antiquities is extremely likely to be taken in, and should
he show any disposition to buy, or express a wish to purchase, articles
other than those shown to him, by some mysterious means the news goes
round, and immediately there gather from all parts sellers of specimens
both false and real. These men will never give each other away, but will
back up the most lying assertions with surprising assurance mingled with
the most childlike assumption of innocence. If found out, they will
swear by their gods that it is you who are mistaken, not they. They will
look you straight in the face while telling you the most bare-faced
untruths. This attitude they will carry to a great length and then
suddenly break down, grin, and admit that the supposed antiquity is a
fraud, but will deny any desire to cheat you. Later on they will make a
special journey to see you again, bringing with them some more
forgeries, fondly hoping that you may be induced to buy one of them.
The scarab, or replica of the sacred beetle of Egypt, was used as a
seal, an amulet, or a charm, and was buried with the dead in large
numbers, sometimes arranged in a certain form upon the mummy’s chest. In
the place of the heart there is frequently to be found a large scarab
with sayings from the Book of the Dead inscribed upon it. It was
supposed that the sacred beetle would ward off attacks of evil spirits,
and give the dead a better chance of resting in peace in the other
world. Sometimes a scarab would be inscribed with the records of an
event, such as a voyage to Punt. Amenhotep III, in celebration of his
marriage with Queen Tiy, issued a large number of scarabs, carved in
stone and engraved with a record of the event. (_Breasted._)
Public-domain text, read in full here on John Shaqi.
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